Tough Luck & Factory Boss. Poems by Charlie Brice

(i.)

Tough Luck

The ice was too thin
             no one could help
the swan its foot caught
             in ice on Walloon

All we could do is watch
            or not watch
as I chose to do

It was an eagle
          my neighbor said
that finished it off



(ii.)


Factory Boss      

                                  After Henri Rouart in Front of His Factory,
                                             a painting by Edgar Degas

He is the pre in post-industrial,
            the buttonuped daddy of ‘em all,
the tophatted, mustached, cigar smoker
            who paid his workers in turkeys
and Christmas ornaments.

Behind him his factory is shuttered— 
            lonely as a Satie gymnopedie.
His workers port lunch pails,
            peasant shirts soiled from
poisonous toil in stacks of smoke.

This boss, the putrescence of production,
            caresses the creases of his pants 
while his watch and fob dangle 
             from the pockets of his waistcoat.

His gaze knife-edged, he opens 
             the cover of his Elgin. 
It’s time, he thinks, for the second shift. 






My bio: Charlie Brice is the winner of the 2020 Field Guide Magazine Poetry Contest. His fourth poetry collection is The Broad Grin of Eternity (WordTech 2021). His poetry has been nominated for the Best of Net Anthology and three times for a Pushcart Prize and has appeared in The Atlanta Review, Chiron Review, The Paterson Literary Review, The Sunlight Press, Sparks of Calliope, and elsewhere.

 

 

 

 

Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com See Robin performing his work Performance (University of Leeds)

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Karol Nielsen’s SHAKESPEARE’S GARDEN & other Poems

 
SHAKESPEARE’S GARDEN
 
I sat on a bench, raw logs,
shaved clean almost
in Shakespeare’s Garden.
The magnolias were bursting,
and the cherries,
and Japanese plum.
A photographer
held his lens high to
the pink, white, and purple buds,
snapping, looking,
snapping. Across the
sky, the apartment towers
looked grand,
like church steeples,
graceful, gothic spires.
And I thought of you,
painting this scene,
like we used to do.
 
COWBOY HAT
 
I wore a cowboy hat—
straw—and raw confidence,
as I walked past two men
who turned to look and said,
We’ll never see that girl again.
 
HEADS
 
They turn in summer for
sun-kissed hair, buttery
flesh—exposed, carefree.
They look down, turn away,
after fall brings its dull cast,
and I wonder what is true?
 
THE WRITING LIFE
 
I write a few lines
and feel the calm
of a practiced monk.
But too long away
I am the worst sort of
neurotic—incessant.
 
 

 
 
Karol Nielsen is the author of the memoirs Black Elephants (Bison Books, 2011) and Walking A&P (Mascot Books, 2018) and the chapbooks This Woman I Thought I’d Be (Finishing Line Press, 2012) and Vietnam Made Me Who I Am (Finishing Line Press, 2020). Her first memoir was shortlisted for the William Saroyan International Prize for Writing in nonfiction in 2012. Excerpts were honored as notable essays in The Best American Essays in 2010 and 2005. Her full poetry collection was a finalist for the Colorado Prize for Poetry in 2007. Her work has appeared in Epiphany, Guernica, Lumina, North Dakota Quarterly, Permafrost, RiverSedge, and elsewhere. She has taught writing at New York University and New York Writers Workshop.
 
 
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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Origami Sunset. A Poem by A.J.Huffman

I fold like a flower when the wind blows
blood across a tired sky. My arms curl
in semblance of an infant, almost without
bones. My back bows in archaic pose,
not quite rose, yet so much more than weed.
This crumpling is automatic, permanent
imprints in my skin seem
to follow the pull of a moon yet to appear.
I breathe out a husky blue,
watch it circle, settle, dissolve beneath forbidden
waves as my eyes wait for ethereal tape
to force them to sleep.
 
 
 
 
 
 

 
 
A.J. Huffman has published fourteen full-length poetry collections, fifteen solo poetry chapbooks and one joint poetry chapbook through various small presses. Her most recent releases, The Pyre On Which Tomorrow Burns (Scars Publications), Degeneration (Pink Girl Ink), A Bizarre Burning of Bees (Transcendent Zero Press), and Familiar Illusions (Flutter Press) are now available from their respective publishers. She is a five-time Pushcart Prize nominee, a two-time Best of Net nominee, and has published over 2600 poems in various national and international journals, including Labletter, The James Dickey Review, The Bookends Review, Bone Orchard, Corvus Review, EgoPHobia, and Kritya. She is the founding editor of Kind of a Hurricane Press. You can find more of her personal work here: https://ajhuffmanpoetryspot.blogspot.com/
 
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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KEEP DA FAITH PENELOPE. A Poem by Joe Balaz in Hawai’i Creole English

 
Ovahnight success?!
 
In many cases wen you investigate
dats really not how it is.
 
Sometimes people
go on wun long Odyssey
 
just to get to wheah
dey eventually get to.
 
If your life isn’t short
it’s going to be filled
 
wit intensity and struggles
 
dat you could nevah have imagined
or even foreseen.
 
Flamethrowers will try to burn you
and bullets will try to pierce you
 
as exploding shrapnel
violently flies above your foxhole.
 
As foa me
I’m fixing my bayonet to my rifle
and getting ready
to advance my continuous charge.
 
It’s my “Battle of the Bulge”
 
but unlike da Germans
I’m going to break through.
 
It’s good to have
dat ancient warrior spirit
 
dat seeks to prevail
just like Odysseus traveling back home.
 
I’m about to cast off my hood
and beggar’s rags
 
to bend and string da bow
 
and send wun arrow
streaking through holes in upright axes.
 
Results and actions
 
will take care of my critics
and naysayers.
 
Keep da faith Penelope
 
cause any determined dynamo
certainly will.
 
 

 
Joe Balaz writes in Hawaiian Islands Pidgin (Hawai’i Creole English) and American English. He is the author of Pidgin Eye, a book of poetry.The book was featured in 2019 by NBC News for Asian Pacific American Heritage Month, as one of the best new books to be written by a Pacific Islander.
 
In July, 2020, he was given the Elliot Cades Award for Literature as an Established Writer. It is the most prestigious literary award given in Hawai’i.
 
Balaz presently lives in Cleveland, Ohio.
 
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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Horizontal Vision & Poems by Christopher Barnes

(i.)

Horizontal Vision
 
…barrows to-and-froed.
Hagglers impressed, lurking.
I corner nosegay oils,
you earmark…
 
     *
 …tilt steamer
on disengaged hob
10-15 minutes.  Baste…
 
     *
 …check-up.  Paramedic eurekas
-       something woefully awry –
deduces tip-off…
 
     *
 …metro expired at Wallsend,
bus green-lighted
an hour to cloud-gather,
you’d never essentially…
 
(ii.)

Earth
 
…peachy-keen upbeat guitar 
seesawed your hips.  Taffrail clover,
dribble…
 
     *
 …rattle all footloose.  Chip walnuts.
Grease loaf tin…
 
     *
 …ventured into Bronx Flea Market,
bisected dummy
cornered into a pin-stripe…
 
     *
 …lick-and-promise miasma
Overhauled drained instincts.
Only traffic faded…
 
(iii.)

Fixations
 
…in rag-order
knee-highs yodelled,
single-filing my alley.
No cur whined…
 
     *
 …kibble, tooling rutty blade
of mincer.  Dissolve ½ oz…
 
     *
 …Pegasus’ foals vamoosed,
so the knight…
 
     *
 …we quick-timed hours.
An invisible…
 
(iv.)

Not Quite June
 
…gabby-guts rooks
air-cleared your nickname.
Evening shade diffracted urgency…
 
     *
 …groundwork panade.  Turn out
as for béchamel, stargaze an hour…
 
     *
 …wolfed my quill.”
“What shall I do?”
“Take advantage of a crayon…”

     *
 …rule-breaking headaches spared,
though we blethered all…

 
By Christopher Barnes
  
 
 

 
 
In 1998 I won a Northern Arts writers award. In July 200 I read at Waterstones bookshop to promote the anthology ‘Titles Are Bitches’. Christmas 2001 I debuted at Newcastle’s famous Morden Tower doing a reading of my poems. Each year I read for Proudwords lesbian and gay writing festival and I partook in workshops. 2005 saw the publication of my collection LOVEBITES published by Chanticleer Press, 6/1 Jamaica Mews, Edinburgh.
 
On Saturday 16Th August 2003 I read at the Edinburgh Festival as a Per Verse poet at LGBT Centre, Broughton St.
 
Christmas 2001 The Northern Cultural Skills Partnership sponsored me to be mentored by Andy Croft in conjunction with New Writing North. I made a radio programme for Web FM community radio about my writing group. October-November 2005, I entered a poem/visual image into the art exhibition The Art Cafe Project, his piece Post-Mark was shown in Betty’s Newcastle. This event was sponsored by Pride On The Tyne. I made a digital film with artists Kate Sweeney and Julie Ballands at a film making workshop called Out Of The Picture which was shown at the festival party for Proudwords, it contains my poem The Old Heave-Ho. I worked on a collaborative art and literature project called How Gay Are Your Genes, facilitated by Lisa Mathews (poet) which exhibited at The Hatton Gallery, Newcastle University, including a film piece by the artist Predrag Pajdic in which I read my poem On Brenkley St. The event was funded by The Policy, Ethics and Life Sciences Research Institute, Bio-science Centre at Newcastle’s Centre for Life. I was involved in the Five Arts Cities poetry postcard event which exhibited at The Seven Stories children’s literature building.
 
REVIEWS: I have written poetry reviews for Poetry Scotland and Jacket Magazine and in August 2007 I made a film called ‘A Blank Screen, 60 seconds, 1 shot’ for Queerbeats Festival at The Star & Shadow Cinema Newcastle, reviewing a poem… On September 4 2010, I read at the Callander Poetry Weekend hosted by Poetry Scotland. I have also written Art Criticism for Peel and Combustus Magazines. I was involved in The Creative Engagement In Research Programme Research Constellation exhibitions of writing and photography which showed in London (march 13 2012) and Edinburgh (July 4 2013)
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 
 
 
 

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TANTANKA IYOTAKE. Double Epic Of Sitting Bull. A Poem by EM Schorb.

			
		


	Sioux must have mounts.  Sun-Dreamer,
				greatest of all shaman, advised, Go
				to the horse-rich Crow.
				Up from Mexico,
		stolen by Comanche,
		passed north to Utes, Shoshoni,
	    the best mounts came, finally,
				to the Crow.
	So a hundred Hunkpapa
	went on the warpath, the
				Sioux seeking Crow
	in Yellowstone summer,
	    lariats ready, led by Sitting Bull,
		finding and making off with many a Crow pony.

From French frontiersmen—coup, to touch or to strike the enemy.
	Let aftercomers slay
	him:  you are first in honor because first in the fray.
Slow, who,
	at fourteen, had no other name—he
was considered deliberate, thoughtful,
	not slow—must join the hunting party—
			       but out on the trail,
		so his mother could not try to stop him,
				  would not hold him back and wail
	as if he were riding to his death.  Deliberately,
Slow must be fast, first, must make coup

	Pursued! so that along the
				skyline the rays of rising sun were
				made of long wide rare
				red feathers, each on a spear.
		Crow galloped—Sioux galloped.
		Now Sioux must be intrepid—
	must hold the herd!  Winter Rides,
				the Crow Chief,
	sent Sitting Bull a challenge
	to a duel on the range,
				just chief and chief
	in single combat.  They
	   knelt, aimed, and fired.  Sioux and Crow prayed.  Both sides
	      waited for the white cloud to clear.  Winter Rides was dead,

or die now and be done, for “It is better to lie naked
	than to rot on a high
	scaffold,” an old man who has lived safely, afraid to die,
now naught
	but bent bone and thin loose flesh for the
sun to cook and the crows to eat.  A name
	must be earned.  Let the braves mock his war
			       lust—who cared?—but he
		would have greatness, and he must begin.
				  He will not allow anyone in the
	world to stop him, not mother nor sisters nor mocking braves
	nor even father.  And so he caught

	Sitting Bull’s round shield pierced, the
				sole of his foot penetrated and
				badly mangled, and
				his legendary limp
		acquired for American
		history.  And now a grand
	    chief, famous, mighty, un-
				defeated,
	with his every step, he
	reminds all who see
				how he can spread
	over the prairie the
		Sioux’s high might and exclusive dominion,
		for there were fewer and fewer bison.  These hunting grounds,

and joined his father’s band, saying, of himself and his pony,
	“We are brave and strong, and
	are going too.”  On his father’s face he saw pride, and
“A brave
	is a brave when he proves it,” and Slow
had already killed his first buffalo;
	had touched a dead foe’s face.  He gave Slow
			       his own coup-stick, then
		prayed to the Great Bull Buffalo God
				  to keep Slow safe in the band—
	for who would forgive him Slow’s death?—then willed that Slow be
first to send an enemy to his grave.

	which had once belonged to the
			Crows, Hidastas, Rees, Shoshonis, and
			poor, dying Mandans,
			once many and grand,
		could not keep such numbers.
		The Treaty of Fort Laram
	    -ie, which held the tribes to peace,
			Sitting Bull
	declared, must be broken or
	his people starve, and by
			1864,
	all the chiefs who had signed
	    the Treaty of Fort Laramie with the
		Sioux nation were dead, their tribes driven off and hiding,

Then it was hard riding, to where the bubbling, blood-red water
	of the Missouri river
	turned brown, and there were the Iroquois, taking from the giver,
brothers
	to vultures, stealing their bison—meat,
hoof, and hide—from the hungry Hunkpapa,
	who would ambush the Iroquois but
			       for the gold-painted
		boy, crying, “I am Slow, bravest of the
				  Hunkpapa,” who charged ahead
	of his band to make coup on an isolated Iroquois
hunter, alarming the others.

	afraid to hunt buffalo
				at all, Sitting Bull having triumphed.
				“Chief Sitting Bull fed
				the nation,” Sioux said,
		“on thirty-five thousand
		bison a year.”  “Grandfather,
	my children are hungry,” prayed
				Sitting Bull,
	when taking aim at a great
	bull buffalo, “so I
				must kill you.  It
	is what you were made for.”
	    Then he offered meat to Wakan Tanka,
	   	Double-of-the-Sun, who had given bison their meat.

Now the surprised Iroquois hunters turned in retreat—all but
	one brave, who stopped, turned about,
	and drew his bowstring.  But coup! Slow struck him with a shout,
and fame
	was Slow’s, as other Hunkpapa slew
the unfortunate brave.  Sitting Bull, Slow’s
	great father, felt his pride overfull
			       as the others circled
		his son Slow with raised weapons in salute
				  of his courage in battle.
	He must give some away.  He, Returns-Again, now Sitting Bull,
awarded Slow his honored name. 

Biography

E. M. Schorb attended New York University, where he fell in with a group of actors and became a professional actor. During this time, he attended several top-ranking drama schools, which led to industrial films and eventually into sales and business. He has remained in business on and off ever since, but started writing poetry when he was a teenager and has never stopped. His collection, Time and Fevers, was a 2007 recipient of an Eric Hoffer Award for Excellence in Independent Publishing and also won the “Writer’s Digest” Award for Self-Published Books in Poetry. An earlier collection, Murderer’s Day, was awarded the Verna Emery Poetry Prize and published by Purdue University Press. Other collections include Reflections in a Doubtful I, The Ideologues, The Journey, Manhattan Spleen: Prose Poems, 50 Poems, and The Poor Boy and Other Poems.

Schorb’s work has appeared widely in such journals as The Yale Review, The Southern Review, The Virginia Quarterly Review, The Chicago Review, The Sewanee Review, The American Scholar, and The Hudson Review.

At the Frankfurt Book Fair in 2000, his novel, Paradise Square, was the winner of the Grand Prize for fiction from the International eBook Award Foundation, and later, A Portable Chaos won the Eric Hoffer Award for Fiction in 2004.

Schorb has received fellowships from the Provincetown Fine Arts Work Center and the North Carolina Arts Council; grants from the Ludwig Vogelstein Foundation, the Carnegie Fund, Robert Rauschenberg & Change, Inc. (for drawings), and The Dramatists Guild, among others. He is a member of the Academy of American Poets, and the Poetry Society of America.

PRIZE-WINNING BOOKS
BY E.M. SCHORB
Books available at Amazon.com
_______________________________________

Dates and Dreams, Writer’s Digest International Self-
Published Book Award for Poetry, First Prize

Paradise Square, International eBook Award
Foundation, Grand Prize, Fiction, Frankfurt Book Fair

A Portable Chaos, The Eric Hoffer Award for Fiction,
First Prize

Murderer’s Day, Verna Emery Poetry Prize, Purdue
University Press

Time and Fevers, The Eric Hoffer Award for Poetry
and Writer’s Digest International Self-Published Book
Award for Poetry, each First Prize

and recent finalist in the International Book Awards 2020 again
Muddling Through, a Gallimaufry of Light Verse, Prose Poems, Short Plays, Songs, and Cartoons
Hill House New York 978-0-578-60136-6

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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The Lovely Lady in the Ridiculous Clothes & Poems by RW Haynes

1]
 
The Lovely Lady in the Ridiculous Clothes
 
In a sea of meaningless stuff, that honesty
Fires up the jaded imagination,
Enlivens losing life with lively sensation,
And calls for music, dancing harmony.
So wear that hat, a dashing pronouncement,
Those painted shoes, eye-grabbing things,
And whatever else inspiration brings
To hear wisdom’s ultimate announcement.
The hat, the crazy shoes, your laughing smile,
Are flowers sprung from nowhere, although
Sweet hope requires that they arrive so,
And the light has come, now, to stay awhile.
The music does more than speak: it commands,
And souls step forth and boldly now clap hands.
 
2]
 
Hot Date for The Fiddlers’ Convention
 
Brought against you, then,
An arsenal of betrayals that begin
A catalog of unexpected depletions,
Beginnings to begin once again,
Chaos of incompletions.
 
So chalk this up to the record then,
Remembering themes are just themes,
Not formulas, mathematic dreams,
Just stuff just good for slogans to rant,
Useless epitaphs for grackles to chant.
 
Tune the instrument, tune in the station
Playing the spirit of inspiration.
Let the dance continue hard and fast
Or deep and slow, but let it play on.
Let it go. Leave it playing on at last.
 
3]
 
Behind the Old Church
 
Heavy stone slabs
Shadowed with warning
Echo ominously…
The moon keeps burning…
 
The dead stones emanate
Stupefying cold
Around these graves’
Enigmas untold,
 
And the ravens look down
With raucous disdain
On stupefied despair,
A frozen hurricane…
 
Silent bells boom
And clang,
Time’s malicious
Boomerang.
 
Step right up,
Sentimental slave;
Pour your liquor
All over his grave.
 
 

 
R. W. Haynes, Professor of English at Texas A&M International University, writes various things in prose and in poetic form. His academic specialty is 16th-century England, but much of his work lately has been on the playwright/screenwriter Horton Foote. His recent poetry collections are Laredo Light and Let the Whales Escape published summer 2019 ( for further info see under Categories at this site). He recently wrote a play titled Never Claim a Kill, and he hopes to complete his novel The Songs of Billy Bonstead before Laredo cools off again. Another project in progress is an academic work currently titled The Struggling Spirit in the Plays and Screenplays of Horton Foote. In 2016 he was awarded the SCMLA poetry Prize ($500) at the Dallas meeting of the South Central Modern Language Association

 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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Dying with the Evening Gown. A Poem by Fabrice B. Poussin

 

Standing before the long mirror she wondered
to hide this nakedness in the dark of fancy velour
or to wrap those limbs in worn out denim.
 
Cocktails to be served at five in the eve
in a room ornate with illustrious chandeliers
imported crystals shining of artificial suns.
 
Boasting pearls, diamonds and rubies she descended
princess among royalty in make believe worlds
her breast heaved with the power of intimate convictions.
 
A deep breath held within her chest
pleading for patience in a room stuffed with smoke
pretenses and empty vanity she dreamed of freedom.
 
Perhaps another would appear rejected next door
too attached to the liberty of youthful years
choosing instead to shred the tuxedos of success.
 
She imagines herself atop desolate islands
near and far without lace, precious metals or fame
free in a white shroud dedicated to the world.
 
Mingling with the semblances of peers
they brush against the pure skin of her innocence
unable to make contact as she continues to the gates.
 
A gaze constant upon the abandoned domains
her soul smiles for she steps into her dream
made of pains joys and true healings.
 
Without a look back to those well-dressed ghosts
she shed the million-dollar evening gown
to enter as upon her birth within a fitting kingdom.
 
 

 
 
Fabrice B. Poussin is the advisor for The Chimes, the Shorter University award winning poetry and arts publication. His writing and photography have been published in print in the United States and abroad. He teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, La Pensee Universelle, Paris, and other art and literature magazines, where he has also featured here at Poetry Life and Times & Artvilla.com. His photography has been published in The Front Porch Review, the San Pedro River Review as well as other publications.
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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