Like a full-service gas station
or postal service workers
displaced, racing to Staples retail
for employment against the rules of labor,
poets are out of business nowadays, you know.
Who carries a loose change in their pockets?
Who tosses loose coins in their car ashtray anymore?
iPhones, smartphones, life is a video camera
ready to shoot, destroy, and expose.
No one reads poets anymore.
No one thumbs through the yellow pages anymore.
Who has sex in the back seat of their car anymore,
just naked shots passed around online?
Streetwalkers, bleach blonde whores,
cosmetic plastic altered faces in the neon night;
they don’t bother to pick pennies
or quarters off the streets anymore.
The days of surprise candy bags for a nickel
pennies lying on the countertop for
Tar Babies, Strawberry Licorice Laces
(2 for a penny), Wax Lips, Pixie Sticks,
Good & Plenty are no more.
Everyone is a dead-end player; he dies with time.
Monster technology destroys crump fragments of culture.
Old age is a passive slut; engaging old age
conversations idle to a whisper and sleep alone.
Matchbox, hand-rolled cigarettes,
serrated, slimmed down, and gone.
Time is a broken stopwatch gone by.
Life is a defunct full-service gas station.
Poets are out of business nowadays.
Michael Lee Johnson lived ten years in Canada, Vietnam era. Today he is a poet in the greater Chicagoland area, IL. He has 244 YouTube poetry videos. Michael Lee Johnson is an internationally published poet 43 countries, several published poetry books, nominated for 3 Pushcart Prize awards and 5 Best of the Net nominations. He is editor-in-chief of 3 poetry anthologies, all available on Amazon, and has several poetry books and chapbooks. He has over 536 published poems. Michael is the administrator of 6 Facebook Poetry groups. Member Illinois State Poetry Society: http://www.illinoispoets.org/
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; You may visit
Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com
See Robin performing his work Performance (University of Leeds)