The Golden Lion. Mycenaean Haiku by Richard Vallance.

haikpotniatherolioninthesundeath
 
Press to Enlarge. Editor
 
The Golden Lion linearbknossosmycenae.wordpress.com/2014/06/26/a-blazing-hot-summer-haiku-in-linear-b-the-golden-lion-potnia-mistress-of-the-wild-and/
 
Editor’s Note: it is also advised by the author to visit the site for commentaries on the translation & text.

Richard Vallanc Santorini Greece May 2012

 
Richard Vallance, meta-linguist, ancient Greek & Mycenaean Linear B, home page: Linear B, Knossos & Mycenae, http://linearbknossosmycenae.wordpress.com/
 
PINTEREST Boards: Mycenaean Linear B: Progressive Grammar & Vocabulary, http://pinterest.com/vallance22/mycenaean-linear-b-progressive-grammar-and-vocabul/ and, Knossos & Mycenae, sister civilizations, http://pinterest.com/vallance22/knossos-mycenae-sister-civilizations/ Also poetry publisher, The Phoenix Rising from the Ashes: Anthology of sonnets of the early third millennium = Le Phénix renaissant de ses cendres : Anthologie de sonnets au début du troisième millénaire. Friesen Press, Victoria, B.C., Canada. © August 2013. 35 illustrations in B&W. Author & Title Indexes. 257 pp. 315 sonnets & ghazals in English, French, Spanish, German, Chinese & Persian. http://vallance22.hpage.com/
 

robin@artvilla.com

www.facebook.com/PoetryLifeTimes
 

Share and Enjoy !

Shares

Any Available Exit. Poem by Ian Irvine (Hobson)



I

In the quiet street an
       unacknowledged jettatore fixes upon
           a passing feline.

II

As the modern cars move
   parallel to grey pedestrians.
I take a strong dislike 
   to a malefic debauchee—he’s
   too shoulder-close at the newspaper stand.

III

Out and about after the airline trip
   I radiate ojas—apparently the women
of the city like treacle 
   (thankfully I do not smell 
    like the corpse of hatred).

IV

Though I have not met 
    the approaching academics, their
undulatory waves press me
    breathless against a concrete wall—
I almost drop the morning paper.

V

In the hotel lobby, whilst savouring 
    breakfast odours, a passing porter 
attempts to mesmerise me with potent od—
    I dodge the fluid emotion
make for the lift 
    and a workaday shower.

VI

Those aesthetic goldfish, multicoloured
    creatures of coral, frenzy up
as I pass—I experiment: my hands
    comfort or incite
at random, at toss of a dollar coin.

Seems 
    I am naturally beneficent—
    they will not need the fish-food
for six times seven days.

VII

Though diseased guests are
    locked in luxury suites
I am forced to brave the un-medicinal air
    of their corridor jaunts—right here:
the excrescent energy of a lover
    stifling to his beloved.
I’m exhausted as I reach the door
    of my own room.

VIII

Having showered I sleep
     to alleviate the tiredness, notice
     in the sprawling that
this hand 
     soothes the solar plexus
this other 
     draws living juice
from the liberated heart—the transfer 
           is intense
 a three hour dialysis.

IX

Over-looking
     dim-lit rectangles
solid with brick and concrete, 
     cold steel and mathematical, I feel 
a rush of love—this I direct,
     squeeze gently from the tea-bag
     (comes rich aroma)—then collapse
among conference paraphernalia, all
     strewn upon the double bed—
and know for the first time, with relief, 
    that your tumor will be benign
    (will heal itself).

X

It is the same day
     in a different city, and
the evening undresses, 
     opens the temporal gate
          wide enough ajar, that I
can place my foot in the door.

As I do, I clasp the relic
      you gave me—makes vivid
our charmed purpose.

You know that stone?
      I remember it
about your neck. 

As I imagine
     it positively glows
and I know 
     that you like me to think 
     about you, even
from a great distance.
 
 
Ian Irvine Photo


Ian Irvine is an Australian-based poet/lyricist, fiction writer and non-fiction writer:
 
His work has featured in many Australian and international publications, including
Fire (UK) ‘Anthology of 20th Century and Contemporary Poets,’ (2008) which contained the work of poets from over 60 nations. His work has also appeared in a number of Australian national poetry anthologies, and he is the author of three books and co-editor of many more (including Scintillae 2012, an anthology of work by over 50 Victorian and international writers and poets). He currently teaches writing and literature at Bendigo TAFE and Victoria University (Melbourne) and lives with fellow writer Sue King-Smith and their children on a 5 acre block near Bendigo, Australia.


Links related to his work are as follows:

 
http://authorsden.com/ianirvine

http://www.scribd.com/IanHobson

 
 

robin@artvilla.com
www.facebook.com/PoetryLifeTimes

 

 


Share and Enjoy !

Shares

Moving On. Haiku.Theme Loss & Grief. Nancy May

 
winter sunset
taking your last breath
I am with you
 
winter drizzle
our time has come
for us to part
 
winter night
I come back home
to an empty house
 
winter dawn
I am waking up early
since you left
 
spring dawn
the absence of your voice
I start to notice
 
spring rain
I understand now
we walk on new paths
 
spring sunset
in the passing of time
my heart opens
 
 

nancy may
Nancy May has haiku published in Haiku Journal, Three Line Poetry, Poetry Quarterly, Inclement Poetry, Twisted Dreams Magazine, Vox Poetica, Eskimo Pie, Icebox, Dark Pens, Daily Love, Leaves of Ink, The Blue Hour Magazine, Kernels, Mused – The BellaOnline Literary Review, Dead Snakes, Danse Macabre – An online literary magazine, High Coupe, A Handful of Stones, Lyrical Passion Poetry E-Zine, UFO Gigolo, 50 Haikus, The Germ, Boston Literary Review, Be happy Zone, Every Day Poets, Cattails, Ppigpenn and Creatrix Journal. Haiku will soon appear in M58.
 
She is a monthly contributor at The Camel Saloon and Poems and Poetry. She has reached The Heron’s Nest consideration stage twice and the Chrysanthemum consideration stage once. She is working on her first haiku collection.

 
 
robin@artvilla.com
www.facebook.com/PoetryLifeTimes

Share and Enjoy !

Shares

Smolder. A Poem by E. Darcy Trie

 
i

found you

under a buttercup

this sun baby

that spoke in a lemonade language

about how our palms

line up like the

north star
 
*
 
we

slid like butter

against an iron night

flaked and crumbled

a swath of saffron

leaping in leprechaun steps

toward a brimstone morning
 
*
 
you

paused

like a catch

a hiccup

your indian summer voice

confessed

thread is too thin

breakable

and gently explained

that’s not ocher

see?

it’s just

yellow
 
*
 
here

it was agreed to leave

patches of sunlight

cut into sulfur strips

by your turning shadow

those golden bars
 
o
 
 
how they still
 
 
 
smolder
 
 
 
E. Darcy Trie, Nevada, United States of America
 

Darcy Trie-1

Darcy was born in Taipei, Taiwan in 1975, E. Darcy Trie is a Scorpio, Rabbit and matriculated in Little Rock, Arkansas at the age of two. She graduated at the University of Arkansas at Fayetteville with a B.A. in Psychology along with Minors in Drama and Asian Studies. Sensing that achieving her Masters would drive her to drink, she wisely opted to tour Asia in her early twenties (thanks to a grant provided by Bank Of Daddy), and in the year 2000, found herself in the heart of Beijing, China where she began writing due to the fact that crocheting was far too complicated and because the voices in her head would not shut up.

By 2004, she had completed two romances, one historical and one modern, and after viewing all nine seasons of the X-Files and three seasons of C.S.I, finished the first two series of the Snow novels and is currently writing the third installment. During this time, she has also had several pieces of her poetry published in various online poetry magazines.

Her passions and hobbies includes writing, reading (anything put out by Neil Gaiman), Disney movies, all divination tools such as Tarot, I-Ching, Runes and is an enthusiastic, although albeit amateur, astrologist/paranormal investigator. She is 5’10, weighs whatever she wrote on her driver’s license, owns a lot of black hoodies and is addicted to It’s A Grind’s Passion Fruit tea.

She is fluent in English, Mandarin Chinese, some French and once took a Zero Hour in Greek in high school. She hates mornings, coconuts, wire bras, and sincerely hopes that this is bio is long enough to fill up an entire page (doubled-space of course).

Ms. Trie currently lives in Las Vegas, NV because she adores $2.99 buffets, Paigow Poker, and that lovely 116 degree August weather. She dreams of writing best-selling novels that will delight and thrill her future fans and because she is tired of being a productive citizen and wants to go back to being a mooching hermit.
 
 
robin@artvilla.com
www.facebook.com/PoetryLifeTimes

Share and Enjoy !

Shares

Pursued Poem by Joan McNearney

My dark dreams scatter across asphalt streets. Rain splashes
ebony ink, winds snarling my damp hair. My mind in knots
and snags. Throat dry and raw as I step over cobblestones.
 
It follows me, this long shadow, waiting to cover me,to encompass me.
 
Now I am passing a field. My worn shoes sink into moist grounds.
The soil offers up scents of mild vegetation, promises of spring.
Gusts tangle trees and calls from lost trains resound through night.
 
It follows me, this long shadow, waiting to cover me,to encompass me.
 
I keep climbing a hill. My mind twisted into knots. How can
I breathe? There is no turning back. White walls meet me head-on.
I feel the rough concrete pressing my fingers as I push in.
 
It follows me, this long shadow, waiting to cover me,encompass me.
 
Finally swallowed whole by this black heart of night.
 
 

Joan McNerney’s poetry has been included in numerous literary magazines such as Seven Circle Press, Dinner with the Muse, Blueline, Spectrum, three Bright Spring Press Anthologies and several Kind of A Hurricane Publications. She has been nominated three times for Best of the Net. Poet and Geek recognized her work as their best poem of 2013. Four of her books have been published by fine small literary presses and she has three e-book titles.

Vivitar

 

robin@artvilla.com

www.facebook.com/PoetryLifeTimes

www.artvilla.com/plt


Share and Enjoy !

Shares

The Daddy Poem Series (i.-vii.) by Janet P. Caldwell.

 
 
Janet P. Caldwell is currently the COO of Inner Child, ltd., Humanitarian, Reiki Master, Poet, Published Author, 5 degrees to separation, Passages and Dancing Toward the Light . . . The Journey Continues, many anthologies, magazines and more. To read more of Janet’s work please visit the links below.
 
www.janetcaldwell.com/
 
www.innerchildpress.com/janet-p-caldwell.php
 
www.facebook.com/JanetPCaldwell
 
 
(i.)
 
5 degrees to separation
 
I learned to count early
Read the bible too
Wrath, punishment
Seemed no absolution
Separate at five
 
In the morning
When I was defiled
Five screams a minute
Five shiny points from
The glass shards
 
Five fingers, to check off
As I calculate
In five minutes I’m clean
and new
Separated by five degrees
 
Five from what I don’t want
To remember, anything green
Black or brown
Make it easier
Five letters/numbers are my friends
 
The ceiling fan;
Wood, glass, white, brown, brass
Another set of quints
A quick escape
When I should need one
 
My rabbit hole with
Back-doors aplenty
Five senses all shut down
I’ve got good and can count
Before what might happen
 
Safe in numbers, hidden
When I separate from myself.
 
©2001-2014 Janet Caldwell
 
 
(ii.)
 
Weep for the Child that Never Was
 
Tears fall down my face
for a child with no name
A child filled with anguish
suffering disgrace.
 
How could they have lied
and treated her so
Why didn’t they love her
just let her go?
 
Buy her new clothes
fill her with song
Mess her up more
you can’t be wrong!
 
She grew up with walls
forever all around
The music you played
she couldn’t hear a sound.
 
You look at her now
with disgust in your eyes
You can’t see her though
she wears a disguise.
 
Hand-made by you
so carefully sewn
With coagulated drops
all her own.
 
You thought that you knew her
but there’s no way that you could
She’s not what you think
behind the mask stained with blood.
 
© Janet Caldwell 2001 – 2014
 
 
(iii.)
 
Daddy # 2
 
I Remember him
 
Glassy blue eyes
Fingertips brown
Black greasy hair
Forehead high
Child killer
Sick bastard
  
I Remember me
Scuttling like a rat
Running from a cat
Scattering across the tile
 
Like a roach on fire
When the lights came on
Better scatter, Daddy’s home!
 
I Remember (séances)
Straddling his head
The Shoulders so high
Calling up the dead
Peering in the sky
Let the dead arise
It’ll stop Daddy’s cries.
  
I Remember Abuse
Dancing to the belt
That beat me blue
Decorated with welts
 
Daddy, I Remember You
 
© Janet P. Caldwell 2003 -2014
 
 
(iv.)
 
Child’s Lament
 
I assume you’d say that I’m
As beautiful as I was when I was six.
I think … (I’m jinxed)
Mother Dear, what do you think of me now?
 
I really must know… I’m lost.
Did I say that I miss you?
I’m sorry if I haven’t.
I feel like Anne. Always have.
 
Did my beauty transpire when, I cooked your
Supper? Was I special when
Your sick fuck of a husband
Molested me? Made it easy for you,
well, answer me?
 
(If only in my mind, for my mind, I’m losing my mind . . . again)
 
Tell me, Mother, I want
To understand. (Significance?)
Myself, a wisp of value
I don’t have far to go.
 
It’s an indistinct trail, but
I try. Just explain it, please.
I forgive you.
Everyday.
 
And I will
I promise.
All the way to the grave.
Can you help me now???
 
©2002 – 2014 Janet Caldwell
 
 
(v.)
 
Sugar & Spice
 
Hey, Pom Pom girl, swingy
Red and blue, shake it
Shake it, cheer so loud
Until the acid bleeds your throat
 
Green eyes glaze and glisten
Smiling through the bile
You pretty little thing
For everyone to see, but
If they only knew, and could
See the scars beneath
 
The make-up, the crafted image
They wouldn’t be jealous
Now would they Blondie
Surely not of you?
 
You’re all grown now
If you believe a calendar
Hiding in a house, in plain
Sight, an icon for everything nice
And all that spice, so spice that nice
 
But tell me, what the
Hell happened to you?
A funny thing, frequent
Thoughts of suicide
A whispered middle-aged craze
Still hip, staying in style
 
You’re still pretty, my silly girl
Even with your head
Crammed in the toilet bowl
 
When did it stop being easy to cheer?
As you count the vomit chunks
Regurgitate love, empty
Your soiled soul.
 
Feeling better now?
No, I didn’t think you would
How about a pill? You know
That you can’t drink
Too many calories to consume
Remember? Pissing in the sink
 
I’ve been around, seen
Everything you’ve done
The things that you can’t handle
I saw you scrub and scrub.
 
Wipe at the dingy stains
From his dirty love, that stench
Perfume won’t hide.
 
You had to find a way
To survive the attentions
Of an unconvicted felon
That uncircumcised bastard
Who brought dinner home
 
You do it still you know
Those little tricks and games
Recount the vomit chunks
one-two-three-four-five
 
Hurry, hurry, hurry
That filthy secret’s visible
Flush, flush, flush!!!!!!
 
Tidily out of sight, out of mind
Your filth is in the sewer
A safe-deposit box
For unwanted truths
 
So you can facade the day
 
© Janet Caldwell 2002-2014
 
 
(vi.)
 
Father Figure
 
When Daddy bellowed, I couldn’t hear.
The octaves were past my recognition,
decibels too strong for understanding,
all finer points disappeared.
I recall being tired, taking care of the family.
I was ten and close to breaking, didn’t
need his yelling, or the strap that cut. It’ll
be over soon, bleed girl, just bleed.
 
I was fortunate, so very cared for in
public, what was my problem?
“Nothing, nothing”, I said, needing to
show deference, defiance and not dread.
The piss in my bladder burned, needing release.
 
I reached for the gun, shoved it in my mouth.
The taste of oiled metal gagged me. Why
should I suffer? Twisted the way shit can work.
It’s him, the hateful bastard needs to go
 
D
O
W
N
 
Going once, going twice.
Gone, I peed. Release.
 
Janet Caldwell 2001-2014
 
 
(vii.)
 
First Haircut
 
With her thin lips
she kissed Daddy
good morning.
 
She hated the sight,
the stale smell of him
and abhorred the facade.
 
Madness surrounded those
at 223 Deepwood Drive;
residential death.
 
At seven her mother was
working. Daddy had to get
the girl ready for school.
 
Cursing, he broke a comb,
trying to get it through
her waist length hair.
 
With a movement
that would startle the
comatose,
 
Daddy grabbed a butcher
knife and ambled over to
her chair.
(1-2-3-4-5)
 
She faced the wall, lined up the tiles,
attempting purple dreams.
Throttled screams, burgeoning walls
she could direct into tile accounting.
 
She closed her eyes tight now,
continued keeping ceramic book,
and waited.
 
Terror filled like before,
would he kill her
or beat her this time?
 
Her mind raced and flashed
to past images.
When spittle flecked her face,
welts and blood
decorated her ass.
 
An old waltz…
A dance that never ended pleasantly.
Grabbing her blond swirls in his nicotine
fist.
 
He muttered and sawed her spirit,
and hair, up to
Janet’s tiny neck.
 
Her tresses had been one of the few things
she liked about herself. The hair
once wrapped around her like satin
comfort.
 
It made her feel safe at 3AM.
Count girl count. (1-2-3-4-5…)
Another piece of the child died,
piled on the kitchen floor.
 
Janet Caldwell 2001-2014
 
 
janet caldwell (i)

Janet P. Caldwell Bio
 
Janet wrote her first poems and short stories in an old diary where she noted her daily thoughts. She wrote whether suffering, joyful or hoping for peace in the world. She started this process at the tender age of Eight. This was long before journaling was in vogue. Along with her thoughts, poetry and stories, she drew what she refers to as Hippie flowers. Janet still to this day embraces the Sixties and Seventies flower power symbol, of peace and love, which are a very important part of her consciousness.
 
Janet wrote her first book, in those unassuming diaries, never to be seen by the light of day due to an unfortunate house fire. This did not deter her drive. She then opted for a new batch of composition journals and filled everyone. In the early nineteen-eighties, Janet held a byline in a small newspaper in Denton, Texas while working full time, being a Mother and attending Night School.
 
Since the early days Janet has been published in newspapers, magazines, and books globally. She also has enjoyed being the feature on numerous occasions, both in Magazines, Radio and on Several Web Sites. She has gone on to publish three books. 5 degrees to separation 2003, Passages 2012 and her latest book Dancing Toward the Light . . . the journey continues 2013. She is currently editing her 4th book, written and to be published 2014. All of her Books are available through Inner Child Press along with Fine Book Stores Globally.
 
Janet P. Caldwell is also the Chief Operating Officer of Inner Child www.iaminnerchild.com/, which includes Inner Child’s Ning Social Site innerchild.ning.com/, Inner Child Newspaper paper.li/1innerchild/1326347159, Inner Child Magazine www.innerchildmagazine.com/, Inner Child Radio www.blogtalkradio.com/inner-child-radio and The Inner Child Press Publishing Company www.innerchildpress.com/.
To find out more about Janet, you may visit her web-site, Face-book Fan Page and her Author page at Inner Child Press.

 
 
 
robin@artvilla.com
www.facebook.com/PoetryLifeTimes

Share and Enjoy !

Shares

Alzheimer’s and the Soul of Man. Poem. Sara L Russell.

 
 
Bright colours in a pool of crystal clarity
reflecting all the spectrum of our days
slip down into a quagmire of nonentity
with nothing left to sully or erase.
 
This cold disease that strips a man of human soul,
is worst of all the ravages of time;
behold those eyes, devoid of everything you stole,
yet blissfully unknowing of your crime.
 
This bright man, worn away to barest minimum,
this one-time writer and great raconteur,
this poet – will not travel to Byzantium;
his world is fading to a senseless blur.
 
 
sara russell
 
Sara Louise Russell, aka PinkyAndrexa, is a UK poet and poetry ezine editor, specialising particularly in sonnets, lyric-style poetry and occasionally writing in more modern styles. She founded Poetry Life & Times and edited it from 1998 to 2006, when she handed it over to Robin Ouzman Hislop and Amparo Arrospide; Robin now runs it as Editor from Poetry Life & Times. She is currently founder and Editor of the daily paper.li journal Poetry Lifetimes, Poetry Lifetimes ; which is a sister publication to Poetry Life & Times. Her poems and sonnets have been published in many paper and online publications including Sonnetto Poesia, Mindful of Poetry and Autumn Leaves a monthly Poetry ezine from the late Sondra Ball. Her sonnets also currently appear in the recently published anthology of sonnets Phoenix Rising from the Ashes. She is also one of the first poets ever to be published on multimedia CD ROMs, published by Kedco Studios Inc.; the first one being “Pinky’s Little Book of Shadows”, which was featured by the UK’s national newspaper The Daily Mirror, in October 1999. (Picture link for Mirror article)Angel Fire

 
 
 
robin@artvilla.com
www.facebook.com/PoetryLifeTimes

Share and Enjoy !

Shares

Paris Haiku by Virginie Colline.

 
 
after the rat race
chasing clouds and field mouses
on the Butte Montmartre
 
the Leica clicks
the right scene at the right time
no doubt in his mind
 
caress and murmur
the cat is asking for more
like the rest of us
 
Jaques Prevert by Iziz Paris haiku
 
Jacques Prévert by Izis
 
​Originally published in Dagda Publishing.​
 
Virginie Colline lives and writes in Paris. Her poems have appeared in The Scrambler, Prune Juice, The Mainichi, Frostwriting, Prick of the Spindle, Mouse Tales Press, StepAway Magazine, BRICKrhetoric, Seltzer, Overpass Books, Poethead, Silver Birch Press, The Bangalore Review, Creative Thresholds, Storyacious and Yes, Poetry, among others
​ 
 
robin@artvilla.com
www.facebook.com/PoetryLifeTimes

Share and Enjoy !

Shares