Antonio Martínez Arboleda´s Cosmic VideoPoem. Voyage


 
Greetings,
Siblings of the World:
This is Tony,
your flight assistant and prophet for today
 
Welcome to the end of planet earth as we know it
 
The big mass of the rock with water
that we inhabited for thousands of years
is now about to be transferred to another Galaxy
 
Unfortunately,
This is a rather perilous voyage,
but those of you who have been Good
shall be spared from any damage
 
What are the flying conditions for this adventure
we are about to embark upon?
 
Well, according to Office of Cosmical Statistics
and the weather algorithmic authority
we shall have no trouble
 
Please ensure that you have located
all your molecules of H2o
in the designated compartment
Above you
Remember:
during this journey
You will remain seated
inside your containers
until full re-composition is successfully completed
in our lavish destination
 
And now
 
heads up!
the hologram of our savour and patron
is about to be projected
on your virtual reality glasses
 
Let us pray,
each of you,
whatever you want, really,
it doesn’t matter
 
Our Captain, is ready to take off
 
See you at the other end!
 
 

 
Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change 100tpc.org/. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda at the University of Leeds. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ .

He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons the Nation Paperback , Goddess Summons the Nation Kindle Edition , is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English, available in print and kindle in Amazon and other platforms. Editor’s note: further information bio & academic activities can be found at this link: https://ahc.leeds.ac.uk/languages/staff/91/antonio-martinez-arboleda

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com See Robin performing his work Performance (University of Leeds)

A Robin Ouzman Hislop Video Poem Knocking on the Moonlit Door

Editor’s note: knocking on the moonlit door is an adaptation & reconstruction of Walter de la Mare’s The Listeners – it experiments with moods, ambience, environments. supernatural allusions,
it can be both present, past or future. Subtitles can be accessed by clicking on the subtitle text switch on the bottom bar of the YouTube Video:
 

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

The Poetry of Noni Benegas Read by Robin Ouzman Hislop Translated from Spanish by Noël Valis

From BURNING CARTOGRAPHY
The Poetry of Noni Benegas
Translated by Noël Valis

Another Light
For Paul Virilio

Groping through the house, blind steps
of chalk
with the light of dreams
suddenly opaque or radiant
Who shimmers that screen
in the darkened brain?
Like skin withering on the inside
the mystery of that glow persists

Otra luz
A Paul Virilio

A tientas por la casa con pasos
de tiza
con la luz de los sueños
tan pronto opaca o radiante
¿Quién alumbra esa pantalla
en el cerebro a oscuras?
Como la piel se aja desde dentro
el misterio de ese fulgor persiste

**

A Flower
For Ana Basualdo

The camellia sliver in the wake
of the boat at night
when the petal draws back
a trembling universe
like the line of flotation

**

Una flor
Ana Basualdo

La tenue camelia en la estela
del barco nocturno
cuando el pétalo descorre
un universo trémulo
como la línea de flotación

**

Traveling

Travelers who reach Medina de Raj-Kasar
are surprised to see its image repeated
–for instance—in the guide’s
topaz ring or in the pool-encircled moat
or even in the festive fountain’s inner courtyard
Travelers who reach Medina de Raj-Kasar
after crossing between two moons
the desert of Al-Ahmir
sigh before the delicate towers and dream
of filigreed chambers and soothful hookahs
Do travelers reach Medina
or someone reach Raj-Kasar at a precise moment
dusty curious indolent?
Medina de Raj-Kasar traveling toward the Atlas
of travelers
is pleasantly surprised before the fresh-faced passenger
standing intrepid in the middle
of the glittering oasis

**

Viajar

Los viajeros que llegan a la Medina de Raj-Kasar
se sorprenden al divisar su imagen repetida
–pongamos por caso—en el anillo de topacio
del guía o en la acequia que rodea el foso
o aun en la fuente que acoge el patio interior
Los viajeros que arriban a la Medina de Raj-Kasar
luego de atravesar entre dos lunas
el desierto de Al-Ahmir
suspiran ante las finas torres y sueñan
con el salón filigranado y el narguile conciliador
¿Llegan los viajeros a la Medina
alguien arriba en un momento preciso a Raj-Kasar
polvoriento curioso indolente?
La Medina de Raj-Kasar viajando hacia los viajeros
del Atlas
se sorprende gratamente ante el rubicundo pasajero
que se alza impávido en medio
del iridiscente oasis

**

Frida Kahlo
For Jan Lumas

Was it a work of art or her desire? a column
like harvested steel then fangs like jade
careening steeply
It beat with the bold haste
of temples foretold: the wind adrift
in teeth the eyebrows a buffalo bower
the stamp of the sphinx on asphalt
Was it a work of art or her desire? a column
of damp chalk posed day after day beneath the
agile pupil forever flowering

**

Frida Kahlo
A Jan Lumas

¿Era una obra de arte o su deseo ? una columna
de símil de acero segada más una alta carena
de colmillos de jade
Latía con la prisa impávida
de los templos futuros: el viento entornado
entre los dientes las cejas de dosel de búfalo
la impronta de esfinge sobre el asfalto
¿Era una obra de arte o su deseo ? una columna
de tiza húmeda posada día tras día bajo la
ágil pupila en floración perenne

**

Interruptions

Is it true her face keeps the impressions
of wakefulness,
the landscape seen through the train window
fleetingly deciphered;
is it true her face is interrupted?

Seated across from me
was the sacred icon
of an old Hollywood actress
old age stamped in her features,
not definitively decayed,
but very close.

In improbable transit
those features;
an abandoned aerodrome
with grass on the runway and wind
from the ends of the world.

But there is a canal
that boats go up, of liquid
crystal, oars and noises and houses
alive on its banks,

Her face swarms
swirling with malice.
Could she only have seen what she saw?
As if something were suspended
between two canals
in the stagnant waters of her cheek . . .

Is it true her face is interrupted,
what if the interruption isn’t a landscape or a sound
but simply me?


**

Interrupciones

¿Hasta qué punto su rostro guarda las impresiones
de la vigilia,
el paisaje visto a través de la ventanilla
descifrado por momentos;
hasta qué punto su rostro tiene interrupciones?

Sentada frente a mí
era un Buey Apis que era
una vieja actriz de Hollywood
pues anunciaba la vejez en sus rasgos,
no definitivamente añeja,
pero ya próxima.

De tránsito improbable
esos rasgos;
cerrado un aeródromo en desuso
con hierbas en la pista y viento
de techo del mundo.

Mas hay un canal
que las barcas remontan de cristal
fluido, remos y ruidos y casas
vivas en las orillas,

hay un hormigueo en su rostro
hecho de malicia y remolinos.
¿Sólo habrá visto lo que vio?
Si algo quedara en suspenso
entre dos canales
en el remanso de la mejilla . . .

¿Hasta qué punto su rostro tiene interrupciones,
si la interrupción no fuera paisaje o sonido
sino simplemente yo?

**

 

 
Noni Benegas, born in Buenos Aires and resident in Spain since 1977, is the author of seven books of poetry; a selection is collected in El Ángel de lo súbito, Ed. Fondo de Cultura Económica, (Madrid, 2014). Burning Cartography, Ed. Host, (Austin TX, 2007 and 2011) is a selection of these poems in English, and Animaux Sacrés, Ed. Al Manar (Séte 2013) in French. She has won the Platero Prize from the UN in Geneva; the Miguel Hernández National Prize for Poetry, as well as Vila de Martorell award, the Rubén Darío Prize from Palma in Mallorca, the Esquío Prize in Galicia. She is the author of the influential anthology of contemporary Spanish women poets Ellas tienen la palabra, Ed. Hiperión (Madrid, 2008, 4th edition) whose introductory essay, with a new prologue, articles, interviews and an epilogue has been recently collected by Ed. Fondo de Cultura Economica in 2017 with the same title. Ellas Resisten. Mujeres poetas y artistas (1994-2019) is a selection of her essays on women writers and artists published by Ed. Huerga & Fierro
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

A Poem by Sara L Russell Eulogy for Freedom 30th March 2021

 
Was it here we used to drink on Saturday afternoons,
on the beer garden decking, under the trees,
you would be talking of funny things that happened
in your student days,
or the woes of working life
and I would find myself looking down at a garden
far below the upper decking,
wondering who lived at the house there
and if they were anything like us…
.
Was it every third or fourth weekend we might
jump on the bus to Tunbridge Wells,
to wander around the Pantiles;
to go treasure hunting
in bespoke jewellery and antique shops,
to dine at The Tunbridge Wells Hotel
on open steak sandwiches, drink
fine Malbec, watch people pass by
outside, and dream, and speak of future plans…
.
DId we really sometimes stay at that hotel in Bath
and visit that spa; did I dream that I swam
in the rooftop pool overlooking the city?
Did our hotel really have two swimming pools
and a sea of lavender surrounding the terrace?
I look at a photo I took through the window
of our room, at the full moon
through a black tracery of tree branches;
it seems worlds away now.
.
Watching a show on TV last night
I could only wonder
did people really
pile into those huge stadiums
swaying, waving, singing along
with the good old boys of rock n roll;
or purveyors of soul, or singers of blues
where everyone was carried away
on magic carpets of music,
with the base jumping, fists pounding
and hearts all bursting with joy?
.
Was it really only a couple of years ago
that friends and relations could still be reunited
with embraces and kisses?
Is the past forever foregone
or is there a place somewhere
which might let us return,
as easily as opening a door?
Just send me the key.
I swear I will stay faithfully indoors
until it arrives.
 
 
Sara Russel latest
 
 
Sara Louise Russell, aka PinkyAndrexa, is a UK poet and poetry ezine editor, specialising particularly in sonnets, lyric-style poetry and occasionally writing in more modern styles. She founded Poetry Life & Times and edited it from 1998 to 2006, when she handed it over to Robin Ouzman Hislop, who now runs it as Editor at this site. Her poems and sonnets have been published in many paper and online publications including Sonnetto Poesia, Mindful of Poetry and Autumn Leaves a monthly Poetry ezine from the late Sondra Ball. Her sonnets also currently appear in the recently published anthology of sonnets Phoenix Rising from the Ashes. She is also one of the first poets ever to be published on multimedia CD ROMs, published by Kedco Studios Inc.; the first one being “Pinky’s Little Book of Shadows”, which was featured by the UK’s national newspaper The Mirror, in October 1999. – (Picture link for Mirror article) – Angel Fire

 
 
 

Robin Ouzman Hislop is Editor of Poetry Life and Times ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

Robin Ouzman Hislop An Audio Text Poem Tessellation

 
 
 

 

Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. A forthcoming publication of collected poems Off the Menu is expected in 2020

 

You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

El Cazador An Audio Poem by Amparo Arróspide with Piano by Dave Jackson


 

 
Dave M Jackson is the Admin at Artvilla.com where his works are featured extensively.
 
 

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Amparo Arrospide (Argentina) is a Spanish poet and translator. She has published seven poetry collections, Mosaicos bajo la hiedra, Alucinación en dos actos algunos poemas, Pañuelos de usar y tirar, Presencia en el Misterio, En el Oido del Viento, Hormigas en Diáspora and Jaccuzzi, as well as poems, short stories and articles on literary and film criticism in anthologies and in both national and foreign magazines.
She has received numerous awards. Editor’s Note: see also Poetry, National Literature Prize 2018, Francisca Aguirre, Translated from Spanish by Amparo Arróspide & Robin Ouzman Hislop Her latest work Valle Tiétar is published by El sastre de Apollinaire Poesía,32 www.elsastredeapollinaire.com

Robin Ouzman Hislop Reads RIP Nicanor Para & Lawrence Ferlinghetti An Audio Textual Poem

 
 
 

 

Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. A forthcoming publication of collected poems Off the Menu is expected in 2020

 

You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

Rotations. A Poem by Gary Beck

‘Learning Curve’ is an unpublished collection concerned with the decline of Western civilization: Gary Beck

 
We do not know why we are born
because we cannot question
until we have maturity
and relearn curiosity
to seek answers from elders.
And if we do not know wise men
we must search confusing books.
 
The need for understanding
does not affect everyone,
preoccupied with daily tasks
to provide food, shelter, clothing,
to their loved ones, dependents,
while those elected, appointed
to serve the people, the nation
do not always do their duty.
 
In the clash of interests
between the haves and have nots
rulers usually decide
in favor of the privileged,
whose wealth, resources, influence
allows retention of power
for cooperating leaders.
 
When we come into the world
without the means of advancement
we are creatures of coincidence,
nothing assuring accomplishments
except brains, talent, acquired skills,
opportunity discovered
by accident, luck, chance,
a haphazard path to the future.
 
Those dissatisfied with status quo,
demanding comprehension
of the forces that control us
are destined to be exiles
from the comforts of the system,
malcontents identified,
opponents to a sterile life.
 
 


 

Gary Beck has spent most of his adult life as a theater director and worked as an art dealer when he couldn’t earn a living in the theater. He has also been a tennis pro, a ditch digger and a salvage diver. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines and his published books include 26 poetry collections, 10 novels, 3 short story collections, 1 collection of essays and 1 collection of one-act plays. Published poetry books include: Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions, Fault Lines, Tremors, Perturbations, Rude Awakenings, The Remission of Order, Contusions and Desperate Seeker (Winter Goose Publishing. Forthcoming: Learning Curve and Ignition Point). Earth Links, Too Harsh For Pastels, Severance, Redemption Value and Fractional Disorder (Cyberwit Publishing). His novels include a series ‘Stand to Arms, Marines’: Call to Valor, Crumbling Ramparts and Raise High the Walls (Gnome on Pig Productions) and Extreme Change (Winter Goose Publishing). Wavelength (Cyberwit Publishing). His short story collections include: A Glimpse of Youth (Sweatshoppe Publications). Now I Accuse and other stories (Winter Goose Publishing) and Dogs Don’t Send Flowers and other stories (Wordcatcher Publishing). The Republic of Dreams and other essays (Gnome on Pig Productions). The Big Match and other one act plays (Wordcatcher Publishing). Collected Plays of Gary Beck Volume 1 (Cyberwit Publishing. Forthcoming: Plays of Aristophanes translated, then directed by Gary Beck). Gary lives in New York City. https://www.facebook.com/AuthorGaryBeck
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)