Thoughts of burning art again
To have placed any value in it
seems quaint tonight
a simple fire without ceremony
is all that is needed really
just call it collateral damage
no one will notice
anyway
Vincent had the chance
he blew it
and now they gather
around these pieces of his fabric
like they are lives to be saved somehow
while the children play with the depleted uranium
***
AND THEY OBEY
SMASH down the cities.
Knock the walls to pieces.
Break the factories and cathedrals, warehouses
and homes
Into loose piles of stone and lumber and black
burnt wood:
You are the soldiers and we command you.
Build up the cities.
Set up the walls again.
Put together once more the factories and cathedrals,
warehouses and homes
Into buildings for life and labor:
You are workmen and citizens all: We
command you.
KILLERS
I AM singing to you
Soft as a man with a dead child speaks;
Hard as a man in handcuffs,
Held where he cannot move:
Under the sun
Are sixteen million men,
Chosen for shining teeth,
Sharp eyes, hard legs,
And a running of young warm blood in their wrists.
And a red juice runs on the green grass;
And a red juice soaks the dark soil.
And the sixteen million are killing. . . and killing
and killing.
I never forget them day or night:
They beat on my head for memory of them;
They pound on my heart and I cry back to them,
To their homes and women, dreams and games.
I wake in the night and smell the trenches,
And hear the low stir of sleepers in lines–
Sixteen million sleepers and pickets in the dark:
Some of them long sleepers for always,
Some of them tumbling to sleep to-morrow for always,
Fixed in the drag of the world’s heartbreak,
Eating and drinking, toiling. . . on a long job of
killing.
Sixteen million men.
CHICAGO
HOG Butcher for the World,
Tool Maker, Stacker of Wheat,
Player with Railroads and the Nation’s Freight Handler;
Stormy, husky, brawling,
City of the Big Shoulders:
They tell me you are wicked and I believe them, for I
have seen your painted women under the gas lamps
luring the farm boys.
And they tell me you are crooked and I answer: Yes, it
is true I have seen the gunman kill and go free to
kill again.
And they tell me you are brutal and my reply is: On the
faces of women and children I have seen the marks
of wanton hunger.
And having answered so I turn once more to those who
sneer at this my city, and I give them back the sneer
and say to them:
Come and show me another city with lifted head singing
so proud to be alive and coarse and strong and cunning.
Flinging magnetic curses amid the toil of piling job on
job, here is a tall bold slugger set vivid against the
little soft cities;
Fierce as a dog with tongue lapping for action, cunning
as a savage pitted against the wilderness,
Bareheaded,
Shoveling,
Wrecking,
Planning,
Building, breaking, rebuilding,
Under the smoke, dust all over his mouth, laughing with
white teeth,
Under the terrible burden of destiny laughing as a young
man laughs,
Laughing even as an ignorant fighter laughs who has
never lost a battle,
Bragging and laughing that under his wrist is the pulse.
and under his ribs the heart of the people,
Laughing!
Laughing the stormy, husky, brawling laughter of
Youth, half-naked, sweating, proud to be Hog
Butcher, Tool Maker, Stacker of Wheat, Player with
Railroads and Freight Handler to the Nation.
BACK YARD
SHINE on, O moon of summer.
Shine to the leaves of grass, catalpa and oak,
All silver under your rain to-night.
An Italian boy is sending songs to you to-night from an
accordion.
A Polish boy is out with his best girl; they marry next
month; to-night they are throwing you kisses.
An old man next door is dreaming over a sheen that sits
in a cherry tree in his back yard.
The clocks say I must go–I stay here sitting on the
back porch drinking white thoughts you rain down.
Shine on, O moon,
Shake out more and more silver changes.
Cool Tombs
WHEN Abraham Lincoln was shoveled into the tombs, he forgot the copperheads and the assassin … in the dust, in the cool tombs.
And Ulysses Grant lost all thought of con men and Wall Street, cash and collateral turned ashes … in the dust, in the cool tombs.
Pocahontas’ body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May, did she wonder? does she remember?… in the dust, in the cool tombs?
Take any streetful of people buying clothes and groceries, cheering a hero or throwing confetti and blowing tin horns … tell me if the lovers are losers … tell me if any get more than the lovers … in the dust … in the cool tombs.
***