SORRY BUT… A Poem by John Grey

You wonder why I’m this way.
It’s not just because of the way you are.
It’s bad programming, flat tires,
my family, my job,
body hair, and boring sex,
cracked mirrors, plastic straws, Trump –
and there’s more –
lids that refuse to unscrew,
songs on the radio,
loud neon scenery,
the unsuspected sharpness of some blades,
spam and junk-mail,
the bus system, the crappy WiFi,
the pain I have to overcome,
Kardashians, heavy traffic,
tasteless fast food, aggressive panhandlers,
food coloring, superhero movies,
the siren eyes of alcohol,
busted guitar strings, empty ink cartridges,
lines of reasoning, rusty pipes.
humidity, bills, neighbors,
the borrowed book that’s never returned,
the never again good times,
Fox news, a friend’s divorce,
religions that kill,
that render their believers brain dead,
the cost of replenishing those ink cartridges,
dentists, big game hunters, Brad Pitt,
the worn-out soles of my shoes,
cigarette butts strewn across the lawn,
dog shit on the sidewalk,
some long ago incident that
occupies the space between us.
It won’t leave,
would rather stay,
be more annoying than the competition.

 
 

 
 
John Grey is an Australian poet, US resident, recently published in Soundings East, Dalhousie Review and Connecticut River Review. Latest book, “Leaves On Pages” is available through Amazon.
 
 

 
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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Uptown & After the Funeral. 2 Poems by Holly Day

(i.)
 
Uptown
 
The newspaper makes me angry and I prepare myself
for a day of punching Nazis. I read about the local museum
being infiltrated by white supremacists and so I plan my day
around a visit uptown. My daughter asks me where we’re going and I tell her
we’re going to fuck some shit up.
 
I keep my eyes peeled for guys with shaved heads and swastika pins
combat boots and iron crosses but I don’t see any. Someone says
something kind of racist on the bus next to me and I look at them
but then they shut up as if they know what’s in my head.
 
 
(ii.)
 
After the Funeral
 
it’s become a contest of who knew first
who first found out how and when he or she died
who was closest, who has the best story. we get ugly
in our nostalgia, tread a difficult balance between
preserving the subject’s sudden sainthood
while expunging our most pointed, painful, awful memories
find some way to say we should have seen it coming
express surprise that it took so long.
 
afterwards, we each retreat to our private musings
on how if things had been different
it could have been any one of us
it should have been someone else. there’s a dark, uncertain target
over everyone we know now, ready to move on
who will be next.
 
 
Short bio: Holly Day (hollylday.blogspot.com) has been a writing instructor at the Loft Literary Center in Minneapolis since 2000. Her poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review, and her newest poetry collections are Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press), and Book of Beasts (Weasel Press).
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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Horizontal Vision & Poems by Christopher Barnes

(i.)

Horizontal Vision
 
…barrows to-and-froed.
Hagglers impressed, lurking.
I corner nosegay oils,
you earmark…
 
     *
 …tilt steamer
on disengaged hob
10-15 minutes.  Baste…
 
     *
 …check-up.  Paramedic eurekas
-       something woefully awry –
deduces tip-off…
 
     *
 …metro expired at Wallsend,
bus green-lighted
an hour to cloud-gather,
you’d never essentially…
 
(ii.)

Earth
 
…peachy-keen upbeat guitar 
seesawed your hips.  Taffrail clover,
dribble…
 
     *
 …rattle all footloose.  Chip walnuts.
Grease loaf tin…
 
     *
 …ventured into Bronx Flea Market,
bisected dummy
cornered into a pin-stripe…
 
     *
 …lick-and-promise miasma
Overhauled drained instincts.
Only traffic faded…
 
(iii.)

Fixations
 
…in rag-order
knee-highs yodelled,
single-filing my alley.
No cur whined…
 
     *
 …kibble, tooling rutty blade
of mincer.  Dissolve ½ oz…
 
     *
 …Pegasus’ foals vamoosed,
so the knight…
 
     *
 …we quick-timed hours.
An invisible…
 
(iv.)

Not Quite June
 
…gabby-guts rooks
air-cleared your nickname.
Evening shade diffracted urgency…
 
     *
 …groundwork panade.  Turn out
as for béchamel, stargaze an hour…
 
     *
 …wolfed my quill.”
“What shall I do?”
“Take advantage of a crayon…”

     *
 …rule-breaking headaches spared,
though we blethered all…

 
By Christopher Barnes
  
 
 

 
 
In 1998 I won a Northern Arts writers award. In July 200 I read at Waterstones bookshop to promote the anthology ‘Titles Are Bitches’. Christmas 2001 I debuted at Newcastle’s famous Morden Tower doing a reading of my poems. Each year I read for Proudwords lesbian and gay writing festival and I partook in workshops. 2005 saw the publication of my collection LOVEBITES published by Chanticleer Press, 6/1 Jamaica Mews, Edinburgh.
 
On Saturday 16Th August 2003 I read at the Edinburgh Festival as a Per Verse poet at LGBT Centre, Broughton St.
 
Christmas 2001 The Northern Cultural Skills Partnership sponsored me to be mentored by Andy Croft in conjunction with New Writing North. I made a radio programme for Web FM community radio about my writing group. October-November 2005, I entered a poem/visual image into the art exhibition The Art Cafe Project, his piece Post-Mark was shown in Betty’s Newcastle. This event was sponsored by Pride On The Tyne. I made a digital film with artists Kate Sweeney and Julie Ballands at a film making workshop called Out Of The Picture which was shown at the festival party for Proudwords, it contains my poem The Old Heave-Ho. I worked on a collaborative art and literature project called How Gay Are Your Genes, facilitated by Lisa Mathews (poet) which exhibited at The Hatton Gallery, Newcastle University, including a film piece by the artist Predrag Pajdic in which I read my poem On Brenkley St. The event was funded by The Policy, Ethics and Life Sciences Research Institute, Bio-science Centre at Newcastle’s Centre for Life. I was involved in the Five Arts Cities poetry postcard event which exhibited at The Seven Stories children’s literature building.
 
REVIEWS: I have written poetry reviews for Poetry Scotland and Jacket Magazine and in August 2007 I made a film called ‘A Blank Screen, 60 seconds, 1 shot’ for Queerbeats Festival at The Star & Shadow Cinema Newcastle, reviewing a poem… On September 4 2010, I read at the Callander Poetry Weekend hosted by Poetry Scotland. I have also written Art Criticism for Peel and Combustus Magazines. I was involved in The Creative Engagement In Research Programme Research Constellation exhibitions of writing and photography which showed in London (march 13 2012) and Edinburgh (July 4 2013)
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 
 
 
 

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Learning Curve. 3 Poems by Gary Beck

‘Learning Curve’ is an unpublished collection concerned with the decline of Western civilization: Gary Beck


(i.)

Urban Reaches

Alone in a great city
strangers pass,
intent on jobs, crime,
shopping, terror.
I know not what.
They all look remote,
don’t say ‘good morning’,
don’t meet my gaze,
except the hostiles,
when I quickly look away.
I cannot tell
who is good, kind, normal,
smart enough to build a future.
Temporarily marooned
in a vast enclosure
I do not know what to do
to establish an identity.

(ii.)

Homeless VIII

They robbed my cans
for the second time
in a week.
I hustled my ass off
getting those cans
and got nothing for it.
At least they didn’t beat me.
Maybe I’ll get me a knife
and cut them good
if they try to rob me again.

(iii.)

Conflict

Armies march in many lands.
Rebels attack in many lands.
Conflicts simmer across the globe,
	boil over,
	  erupt
in deadly violence,
destroying lives,
     property,
     eradicating
aspirations for stability,
      disallowing
      normal pursuits,
	education,
      home building,
      raising children,
	hoping
tomorrow will be better
than the savagery today.

 


 

Gary Beck has spent most of his adult life as a theater director and worked as an art dealer when he couldn’t earn a living in the theater. He has also been a tennis pro, a ditch digger and a salvage diver. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines and his published books include 26 poetry collections, 10 novels, 3 short story collections, 1 collection of essays and 1 collection of one-act plays. Published poetry books include: Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions, Fault Lines, Tremors, Perturbations, Rude Awakenings, The Remission of Order, Contusions and Desperate Seeker (Winter Goose Publishing. Forthcoming: Learning Curve and Ignition Point). Earth Links, Too Harsh For Pastels, Severance, Redemption Value and Fractional Disorder (Cyberwit Publishing). His novels include a series ‘Stand to Arms, Marines’: Call to Valor, Crumbling Ramparts and Raise High the Walls (Gnome on Pig Productions) and Extreme Change (Winter Goose Publishing). Wavelength (Cyberwit Publishing). His short story collections include: A Glimpse of Youth (Sweatshoppe Publications). Now I Accuse and other stories (Winter Goose Publishing) and Dogs Don’t Send Flowers and other stories (Wordcatcher Publishing). The Republic of Dreams and other essays (Gnome on Pig Productions). The Big Match and other one act plays (Wordcatcher Publishing). Collected Plays of Gary Beck Volume 1 (Cyberwit Publishing. Forthcoming: Plays of Aristophanes translated, then directed by Gary Beck). Gary lives in New York City. https://www.facebook.com/AuthorGaryBeck
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

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FOLLOWING THEIR LEAD (i never will) A Poem by Bradford Middleton

The world seems to have turned a corner and suddenly there
Is a glint at the end of this longest tunnel down which life has
Taken a turn. News came today that the stock market is back
Up meaning the rich are back to getting richer and with all the
Headlines here consumed on one bit of news, our PM is now in
ICU, the real story is ignored as figures in general society are
Finally falling.

 
Right now though no one in our media cares as they all talk of
His fighting bulldog spirit and how he’ll battle on through just
Like they saw him on the rugby fields of Eton more than forty
Years before. He’s super-fit I heard one tory hack-minister claim
Before the interviewer managed to ask about his body-mass
Equating a case of obesity but ‘oh no, he runs, he exercises every
Day and barely drinks’ he claimed.
 
So now out there people continue to teem around the streets
Carrying on with their lives as if everything is normal and then
There are those who’ve decided they want to do something
About it. David Icke announces the burgeoning 5G masts are
Responsible for all this horror and the next thing we know they
Are being destroyed and whilst I think his theories mad it does
Offer a question.
 
Where did this come from and why did it happen? Well, in
Years, maybe decades to come, the truth will doubtless come
Out and practically no one will notice as it’ll just be a footnote
In a history book by then but I can guarantee you one thing, it
Weren’t the 5G masts that caused this as to this mind it seems
More like an exercise in control, seeing just how far they could
Push us, telling us what to do and how to live this life that grew
Just a little out of control.
 
 
 
 

 
 
 
 
BIOGRAPHY
 
 
Bradford Middleton was born in south-east London during the summer of 1971 and won his first poetry prize at the age of nine. He then gave up writing poems for nearly twenty-five years and it wasn’t until he landed in Brighton, knowing no one and having no money, that he began again. Ten years later and he’s been lucky enough to have had a few chapbooks published including a new one from Analog Submission Press entitled ‘Flying through this Life like a Bottle Battling Gravity’, his debut from Crisis Chronicles Press (Ohio, USA) and his second effort for Holy & Intoxicated Press (Hastings, UK). He has read around the UK at various bars, venues and festivals and is always keen to get out and read to new crowds. His poetry has also been or will be published shortly in the Chiron Review, Zygote in my Coffee, Section 8, Razur Cuts, Paper & Ink, Grandma Moses ‘Poet to Notice’, Empty Mirror, Midnight Lane Gallery, Bareback Lit and is a Contributing Poet over at the wonderful Mad Swirl. If you like what you’ve read go send a friend request on facebook to bradfordmiddleton1.
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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“TESTIMONY” A Video Poem by Deborah Sfez

 
 
Deborah Sfez is a multidisciplinary Israeli artist, born in 1964, working in Côte-D’Ivoire and
Israel.
She is a recognized Artist in Israel and internationally and has won several photography and
art awards.
Her work can also be found in the archives of several Museums.
Her tools are photography, moving image, filmed performance accompanied by texts and
music and sound composition.
Her path, atypical, begins with studies of literature and languages and then by learning the
trades of Fashion and Theater Costume.

Today her work mainly talks about the ups and downs of human existence, she talks about
the experience of existence, partnership, how to overcome an illness, the fear of life, the
beauty of to be a woman and the impossibility of being perfect.

Photography, for her, means a creative research.
She started her work with a series of hundreds of self-portraits by transforming her
appearance into many different characters using costumes, make-up and wigs. Later, she
began using these various self-portraits in a more complex way creating photographic
installations or in more constructed videos, including texts that she wrote, and soundtracks
composed exclusively for each work.
Coming from a country like Israel, where cohabit multiple cultures, the main objective
would be to find equality for all human beings, regardless of their cultural background,
because we are all born one day and therefore must die, man or a woman.
 
https://www.deborah-s-artist.com
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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TANTANKA IYOTAKE. Double Epic Of Sitting Bull. A Poem by EM Schorb.

			
		


	Sioux must have mounts.  Sun-Dreamer,
				greatest of all shaman, advised, Go
				to the horse-rich Crow.
				Up from Mexico,
		stolen by Comanche,
		passed north to Utes, Shoshoni,
	    the best mounts came, finally,
				to the Crow.
	So a hundred Hunkpapa
	went on the warpath, the
				Sioux seeking Crow
	in Yellowstone summer,
	    lariats ready, led by Sitting Bull,
		finding and making off with many a Crow pony.

From French frontiersmen—coup, to touch or to strike the enemy.
	Let aftercomers slay
	him:  you are first in honor because first in the fray.
Slow, who,
	at fourteen, had no other name—he
was considered deliberate, thoughtful,
	not slow—must join the hunting party—
			       but out on the trail,
		so his mother could not try to stop him,
				  would not hold him back and wail
	as if he were riding to his death.  Deliberately,
Slow must be fast, first, must make coup

	Pursued! so that along the
				skyline the rays of rising sun were
				made of long wide rare
				red feathers, each on a spear.
		Crow galloped—Sioux galloped.
		Now Sioux must be intrepid—
	must hold the herd!  Winter Rides,
				the Crow Chief,
	sent Sitting Bull a challenge
	to a duel on the range,
				just chief and chief
	in single combat.  They
	   knelt, aimed, and fired.  Sioux and Crow prayed.  Both sides
	      waited for the white cloud to clear.  Winter Rides was dead,

or die now and be done, for “It is better to lie naked
	than to rot on a high
	scaffold,” an old man who has lived safely, afraid to die,
now naught
	but bent bone and thin loose flesh for the
sun to cook and the crows to eat.  A name
	must be earned.  Let the braves mock his war
			       lust—who cared?—but he
		would have greatness, and he must begin.
				  He will not allow anyone in the
	world to stop him, not mother nor sisters nor mocking braves
	nor even father.  And so he caught

	Sitting Bull’s round shield pierced, the
				sole of his foot penetrated and
				badly mangled, and
				his legendary limp
		acquired for American
		history.  And now a grand
	    chief, famous, mighty, un-
				defeated,
	with his every step, he
	reminds all who see
				how he can spread
	over the prairie the
		Sioux’s high might and exclusive dominion,
		for there were fewer and fewer bison.  These hunting grounds,

and joined his father’s band, saying, of himself and his pony,
	“We are brave and strong, and
	are going too.”  On his father’s face he saw pride, and
“A brave
	is a brave when he proves it,” and Slow
had already killed his first buffalo;
	had touched a dead foe’s face.  He gave Slow
			       his own coup-stick, then
		prayed to the Great Bull Buffalo God
				  to keep Slow safe in the band—
	for who would forgive him Slow’s death?—then willed that Slow be
first to send an enemy to his grave.

	which had once belonged to the
			Crows, Hidastas, Rees, Shoshonis, and
			poor, dying Mandans,
			once many and grand,
		could not keep such numbers.
		The Treaty of Fort Laram
	    -ie, which held the tribes to peace,
			Sitting Bull
	declared, must be broken or
	his people starve, and by
			1864,
	all the chiefs who had signed
	    the Treaty of Fort Laramie with the
		Sioux nation were dead, their tribes driven off and hiding,

Then it was hard riding, to where the bubbling, blood-red water
	of the Missouri river
	turned brown, and there were the Iroquois, taking from the giver,
brothers
	to vultures, stealing their bison—meat,
hoof, and hide—from the hungry Hunkpapa,
	who would ambush the Iroquois but
			       for the gold-painted
		boy, crying, “I am Slow, bravest of the
				  Hunkpapa,” who charged ahead
	of his band to make coup on an isolated Iroquois
hunter, alarming the others.

	afraid to hunt buffalo
				at all, Sitting Bull having triumphed.
				“Chief Sitting Bull fed
				the nation,” Sioux said,
		“on thirty-five thousand
		bison a year.”  “Grandfather,
	my children are hungry,” prayed
				Sitting Bull,
	when taking aim at a great
	bull buffalo, “so I
				must kill you.  It
	is what you were made for.”
	    Then he offered meat to Wakan Tanka,
	   	Double-of-the-Sun, who had given bison their meat.

Now the surprised Iroquois hunters turned in retreat—all but
	one brave, who stopped, turned about,
	and drew his bowstring.  But coup! Slow struck him with a shout,
and fame
	was Slow’s, as other Hunkpapa slew
the unfortunate brave.  Sitting Bull, Slow’s
	great father, felt his pride overfull
			       as the others circled
		his son Slow with raised weapons in salute
				  of his courage in battle.
	He must give some away.  He, Returns-Again, now Sitting Bull,
awarded Slow his honored name. 

Biography

E. M. Schorb attended New York University, where he fell in with a group of actors and became a professional actor. During this time, he attended several top-ranking drama schools, which led to industrial films and eventually into sales and business. He has remained in business on and off ever since, but started writing poetry when he was a teenager and has never stopped. His collection, Time and Fevers, was a 2007 recipient of an Eric Hoffer Award for Excellence in Independent Publishing and also won the “Writer’s Digest” Award for Self-Published Books in Poetry. An earlier collection, Murderer’s Day, was awarded the Verna Emery Poetry Prize and published by Purdue University Press. Other collections include Reflections in a Doubtful I, The Ideologues, The Journey, Manhattan Spleen: Prose Poems, 50 Poems, and The Poor Boy and Other Poems.

Schorb’s work has appeared widely in such journals as The Yale Review, The Southern Review, The Virginia Quarterly Review, The Chicago Review, The Sewanee Review, The American Scholar, and The Hudson Review.

At the Frankfurt Book Fair in 2000, his novel, Paradise Square, was the winner of the Grand Prize for fiction from the International eBook Award Foundation, and later, A Portable Chaos won the Eric Hoffer Award for Fiction in 2004.

Schorb has received fellowships from the Provincetown Fine Arts Work Center and the North Carolina Arts Council; grants from the Ludwig Vogelstein Foundation, the Carnegie Fund, Robert Rauschenberg & Change, Inc. (for drawings), and The Dramatists Guild, among others. He is a member of the Academy of American Poets, and the Poetry Society of America.

PRIZE-WINNING BOOKS
BY E.M. SCHORB
Books available at Amazon.com
_______________________________________

Dates and Dreams, Writer’s Digest International Self-
Published Book Award for Poetry, First Prize

Paradise Square, International eBook Award
Foundation, Grand Prize, Fiction, Frankfurt Book Fair

A Portable Chaos, The Eric Hoffer Award for Fiction,
First Prize

Murderer’s Day, Verna Emery Poetry Prize, Purdue
University Press

Time and Fevers, The Eric Hoffer Award for Poetry
and Writer’s Digest International Self-Published Book
Award for Poetry, each First Prize

and recent finalist in the International Book Awards 2020 again
Muddling Through, a Gallimaufry of Light Verse, Prose Poems, Short Plays, Songs, and Cartoons
Hill House New York 978-0-578-60136-6

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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Motel Dweller’s Pathos. A Poem by Samuel Strathman

 
Four walls,
a TV,
and a bed
is all a sulky
loner needs
for a sojourn
in the sticks.
 
Eat Bugles off
your fingers,
lick the crumbs
under the covers.
 
The second storey
window has a view
of the frenetic energy
beaming from the pool,
corporeal flow.
 
*
 
A stroll around town
is a chair
being forced down
your throat
with a rake.
 
*
 
Back in your room,
the blinds are closed,
television on.
 
Catch the late-night
feature about sea
urchins in space.
 
Actors in outlandish
tin foil costumes pinwheel
like toads clenched
to twine saucers.
 
*
 
The cider is good,
but the days drag
by when there’s no one
to drink with.
 

 

Author Bio
 

Samuel Strathman is a poet, author, educator, and co-editor at Cypress: A Poetry Journal. Some of his poems have appeared or are forthcoming in Rejection Letters, The Honey Mag, Ice Floe Press, and elsewhere. His debut chapbook, “In Flocks of Three to Five” was published by Anstruther Press (2020). His second chapbook, “The Incubus” will be in print this fall (Roaring Junior Press, 2020).
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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