Francisca Aguirre Nana del desperdicio de la tristeza Lullaby for Sadness Amparo Arrospide Robin Ouzman Hislop Translated Poem

Francisca Agirre

 

Nana del desperdicio de la tristeza

 

 Al abrigo de la arboleda de Soto del Real

   y cerca de María Fernanda y Emilio Barrachina

 

Tengo delante de los ojos

el asombro de la arboleda

que me abraza.

Miro los fresnos susurrantes,

 los callados abetos,

los sauces melancólicos

 y no sé bien qué hacer

con el desperdicio intangible

 que llamamos tristeza.

 La tristeza es quizás

 el mejor animal de compañía,

 

la fiera más doméstica,

 pero también la más hambrienta.

 

La tristeza es un hueco que nos sigue

y que al menor descuido nos alcanza,

se sitúa delante de nosotros

y nos canta su nana de desdichas,

su lamento de fiera abandonada,

su machacona relación de oprobios,

su quejido de bicho que se empeña

en pegarse a nosotros

 y decirnos

que no la abandonemos

 a su suerte,

que nuestra obligación es adoptarla.

El viejo desperdicio de la pena,

tan opaco y radiante a un mismo tiempo,

nos va reconociendo con su hocico

y nos lame las manos con su lengua

y se acurruca manso a nuestro lado:

conoce palmo a palmo

 el territorio.

Sus lágrimas nos lavan con modestia,

mientras el animal nos sigue terco,

 con la amable seguridad

que da el abismo.

 

***

 

LULLABY FOR SADNESS

 

 Sheltered by the Soto del Real grove

 and close to María Fernanda y Emilio Barrachina

 

Before my eyes stands

the sheltering grove´s amazement

 which embraces me.

I look at the whispering ash trees,

 the still firs,

the melancholic willows

 and am at a loss

with the intangible remains

 we call sadness.

Sadness is perhaps

 the best pet to keep you company,

 

the most domestic beast,

 but also the most ravenous.

Sadness is a vacuum that pursues us

that leaps out on us unawares

to confront us

to lull us with its lullaby of wretchedness,

its lament of a forsaken beast,

and its monotonous list of injuries,

its plaintive creature´s groan insisting

in attaching itself to us

 and imploring us

not to abandon it

 to its fate,

that it is our duty to adopt it.

The old remnant of sorrow,

so opaque and bright at the same time

that starts by recognition through nose

then the licking of hands with tongue

tamely curling up at our side:

bit by bit it takes hold

 of the land.

Meekly its tears wash us

whilst the beast pursues us stubbornly,

 with that gentle assurance

offered to us by the abyss.

***

Translated by Robin Ouzman Hislop & Amparo Arrospide

***

 

Francisca Aguirre was born in 1930 in Alicante, Spain, and fled with her family to France at the end of the Spanish Civil War, where they lived in political exile.  When the Germans invaded Paris in 1942, her family was forced to return to Spain, where her father, painter Lorenzo Aguirre, was subsequently murdered by Francisco Franco’s regime.  Aguirre published Ítaca (1972), currently available in English (Ithaca [2004]), when she was 42 years old. Her work has garnered much critical success, winning the Leopoldo Panero, Premio Ciudad de Irún, and Premio Galliana, among other literary prizes.  Aguirre is married to the poet Félix Grande and is the mother of poet Guadalupe Grande.

 

 
Robin Ouzman Hislop (UK) Co-editor of the 12 year running on line monthly poetry journal Poetry Life and Times. (See its Wikipedia entry at http://en.wikipedia.org/wiki/Poetry_Life_and_Times). He has made many appearances over the last years in the quarterly journals Canadian Zen Haiku, including In the Spotlight Winter 2010 & Sonnetto Poesia. Previously published in international magazines, recent publications include Voices without Borders Volume 1 (USA), Cold Mountain Review, Appalachian University N Carolina, Post Hoc installed at Bank Street Arts Centre, Sheffield (UK), Uroborus Journal, 2011-2012 (Sheffield, UK), The Poetic Bond II & 111, available at http://www.thepoeticbond.com and Phoenix Rising from the Ashes a recently published Anthology of Sonnets: http://bit.ly/1lIL0jF. He has recently completed a volume of poetry, The World at Large, for future publication. He is currently resident in Spain engaged in poetry translation projects.robin@artvilla.com and you can also visit Face Book site at www.facebook.com/PoetryLifeTimes

 
WIN_20140415_213447
 

Amparo Arrospide (Argentina) is a Spanish poet and translator. She has published four poetry collections, Mosaicos bajo la hiedra, Alucinación en dos actos y algunos poemas, Pañuelos de usar y tirar and Presencia en el Misterio as well as poems, short stories and articles on literary and film criticism in anthologies and both national and foreign magazines. She has received numerous awards. Together with Robin Ouzman Hislop, she worked as co-editor of Poetry Life and Times, an E-zine.

 

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EL ANGEL PROMETIDO. THE PROMISED ANGEL (Extract)Poem.Javier Diaz Gil.Translated Robin Ouzman Hislop & Amparo Arrospide

 

(i)

Creyó que era un ángel.

Tuvo suerte.

 

Resulté

ser un fantasma.

****

He believed I was an angel.

He was lucky.

 

I happened

to be a ghost.

****

(ii)

Terminarás aprendiendo

 –yo te enseñaré–:

 

Lo más difícil

de todo

 

es desaparecer.

****

You will end up learning

 — I will teach you–:

 

Most difficult

of all

 

is to vanish.

****

(iii)

A plena luz

los fantasmas

son más visibles.

 

Sólo los ángeles

buscan la noche.

****

In broad daylight

ghosts

are most visible.

 

Only angels

seek the night.

****

(iv)

¡Aprovéchate!

 

Los fantasmas

tenemos

 

sexo.

****

Be cool!

 

As yes,

we ghosts

have

 

sex.

****

(v)

Te asustarás

si ves un fantasma.

 

Pero preocúpate

si es

un ángel

lo que ves.

****

You’ll be scared

should you see a ghost.

 

But you should worry

if it´s

an angel

you see.

****

(vi)

En caso de duda

levanta la sábana

del fantasma.

 

A veces debajo

se esconde

 

un ángel.

****

In case of doubt

lift the sheet

from the ghost.

 

At times beneath

hides

 

an angel.

****

(vii)

Los ángeles

siempre

regresan

al

lugar

 

 

del

crimen.

****

Angels

always

return

to

the scene

 

of

the crime.

****

Febrero 2012 Javier Diez Gil

Javier Díaz Gil, Madrid, 1964. A Bachelor in Geography & History, with a diploma in General Education Teaching. Until 2006, co-founder and director of the literary magazine Rascamán. For over ten years he has supervised Creative Literature Workshops. Director and moderator of the cycles Escritores en la Biblioteca (“María Moliner” Library). He has published the poetry books Humo, granted the Humberto Tenedor award, Abarán, 2000; Hallazgo de la visión, granted the Nicolás del Hierro award, Piedrabuena, 2000. In 2006 at Santiago de Chile he took part in the Latin American poetry meeting “Poquita Fe” and in 2007 at São Paulo (Brazil) in the “Festival de Tordesilhas”. His poems have been published in literary anthologies and magazines such as Poeta de ©abra (Madrid), Luces y sombras (Tafalla), sèrieAlfa (Valencia), Cuadernos del Matemático (Madrid) o Celuzlose (São Paulo). He was selected at the “Diputación de Badajoz” 2008 Experimental Poetry Award, nominated for the 2010 Addison de Witt Poetry Award and awarded the 2013 “Manzanares el Real” Poetry Award. His poems have been translated into English, Portuguese and Catalan. A member of the Society of Spanish Writers & Artists, since 2006 he chairs the weekly literary gathering Rascamán held at the Café Ruiz in Madrid. His blog can be found at  http://javierdiazgil.blogspot.com

***
WIN_20140415_213447

Robin Ouzman Hislop (UK) Co-editor of the 12 year running on line monthly poetry journal Poetry Life and Times. (See its Wikipedia entry at http://en.wikipedia.org/wiki/Poetry_Life_and_Times). He has made many appearances over the last years in the quarterly journals Canadian Zen Haiku, including In the Spotlight Winter 2010 & Sonnetto Poesia. Previously published in international magazines, recent publications include Voices without Borders Volume 1 (USA), Cold Mountain Review, Appalachian University N Carolina, Post Hoc installed at Bank Street Arts Centre, Sheffield (UK), Uroborus Journal, 2011-2012 (Sheffield, UK), The Poetic Bond II & 111, available at http://www.thepoeticbond.com and Phoenix Rising from the Ashes a recently published Anthology of Sonnets: http://bit.ly/1lIL0jF. He has recently completed a volume of poetry, The World at Large, for future publication. He is currently resident in Spain engaged in poetry translation projects.robin@artvilla.com and you can also visit Face Book site at www.facebook.com/PoetryLifeTimes

 
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Amparo Arrospide (Argentina) is a Spanish poet and translator. She has published four poetry collections, Mosaicos bajo la hiedra, Alucinación en dos actos y algunos poemas, Pañuelos de usar y tirar and Presencia en el Misterio as well as poems, short stories and articles on literary and film criticism in anthologies and both national and foreign magazines. She has received numerous awards. Together with Robin Ouzman Hislop, she worked as co-editor of Poetry Life and Times, an E-zine.

 

 

 

 

 

 

 

 

 

 

 

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