Tantalum, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

Tantalum

a href=”http://www.janetkuypers.com” target=”new”>Janet Kuypers

from the “Periodic Table of Poetry” series (#73, Ta)
(with references to the poem “High Roller”)
11/14/13

People expected
to see me around.
I couldn’t be a recluse.
So I got out my camera
and kept myself
hidden to the world
by separating myself
with a camera lens.

But I longed to see you
sitting again,
cigarette in hand…
I wanted to be able to
walk up behind you,
rest my hands
on your shoulder,
lean my head
next to your face.

I longed to have
my cheek near yours,
not touching,
but so close —
so close that I could
still feel the warmth
from your presence.

But wasn’t I doing that
when I tried to
take pictures instead.

So I then kept myself hidden.
I’ve been a recluse.
Just sat at home
and played video games
so I wouldn’t have to
think about you.

How did I know
you’d work your way
into my shell at home.

I vowed to never
call you again,
you tantalize me so,
but I’d have to remove
every cell phone
I’ve ever used…
You worked your way
into every small crevasse
in my modern world,
and still,
you never cracked
under any pressure
I ever gave you.

It made you
the strong silent type,
you always seemed hidden,
but still so influential.

I should know,
i’m finding everything
that leads me to you
when I try to escape you
in our technology
inundated existence.

#

I call you tantalizing,
and I think of Tantalus,
a king in Greek mythology —

after king Tantalus
stole secrets from the Gods,
he was forced to stand
in a pool of water
that flowed away from him
whenever he tried to drink.

Kind of like you,
how I seem to need you so,
but how we just
never
seem to mix.

Strontium, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

Strontium

Janet Kuypers

from the “Periodic Table of Poetry” series (#038 Sr)
7/2/13

People seem to think
that they need to eat
a ton of red meat
in order to be strong.

They think eating slaughtered
animal is the only way
a human being is capable
of getting themselves protein.

And I know it may be a tightrope walk
to get what you need —

I know how you
can turn a flame
into satan red
(but that means
we use you
in red flares, or
even red fireworks)…

I know how a part of you
can turn radioactive
(like when the Chernobyl explosion
threw Strontium 90 into the air:

but yeah, we’ve learned,
and can use that Strontium 90
in cancer therapy)…

And since Strontium
can get into your bones
(since it’s similar to calcium),
salt Strontium ranelate
treats osteoarthritis.

The thing is, plants are higher
in Strontium than meat,
and because it’s like calcium
it stays in our bones.

Because when we tested
ancient bones,
Austrian researchers
suggested
that Roman gladiators
were
vegetarians.

(Actually,
they ate
mostly barley,
beans, and
dried fruit.)

So yeah,
the strong,
ruthless
Roman gladiators
(the confident,
self-assured
Roman gladiators)
were
vegetarians.

Sorry, but I’ve heard
of how run down firemen
started feeling better
after they cut out meat
(metaphorically, I mean,
they didn’t actually cut any meat,
no animals were harmed
in this experiment
in making people healthier)…

Because if just the right Strontium
can help your bones,
and it is more common
in plants than animals,
maybe people can realize
that they don’t need to eat
a ton of red meat
in order to be strong.
Because with a plant-based diet,
a little Strontium
can go a long way.

Smelling Sulphur on Nine One One, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

Smelling Sulphur on Nine One One

Janet Kuypers

bonus poem from the “Periodic Table of Poetry” series (#016 S)
9/11/13

I’m a journalist.
I can remember
the sounds of the newsroom
as I finished my articles
at one of the computers.
I can still hear
the sounds of the bustling,
of the rushing toward a deadline.

The shuffling of papers
was a constant presence
when you worked.

Hearing that low hum,
that din of action and activity
is almost comforting
to types like us.
It was the base beat
to the symphony of our lives.

So, when you hear the words
nine one one,
you think of the number to dial
when you hear of more gun violence
on these Chicago streets.
You smell the Sulfur
in the gunpowder,
another sense
that accentuates the center
of the world around us…

But on a beautifully
sunny day like today,
you come into the newsroom
in the early morning,
and the sound of action
has yet to truly penetrate the ears
of these reporters,
with a styrofoam coffee cup in one hand,
crumpled pages of edited copy in the other.

But on this sunny morning,
the din was different,
much more cacophonous,
much more rushed,
while still so hushed.
I made my way
to one of the TV sets
along the main wall,
all were on different channels
showing different bits of news,
though all suddenly seemed the same.
It looked like the newsroom
was watching a movie
as smoke poured
from one of the Twin Towers.
I tried to make out the voices
from one of the TV sets
when I witnessed a plane —
right before my eyes —
fly into the other Tower.

I stood for a moment,
transfixed like some
horror movie addict,
before I thought of our contacts
scattered along the east coast.
I pulled out my cell phone
and speed dialed Mark in New York,
he had a meeting scheduled
in the Twin Towers that morning,
but the phone was jammed,
so I dialed up Don
who was in town there this week,
but all was lost
to computer-simulated voices,
forcing me to leave messages
and scramble from afar.

As pathetic as we were,
we stared at TVs
as most forms of communication
were cut off for us.
Was this an attack on New York,
we struggled to discover
until less than forty minutes later
we saw the two-second long film
replayed repeatedly
from a D.C. security camera
that caught a collision course
crashing of a plane
through the outer rings
of the Pentagon.

Well.
Now the story has changed.

Try to get through
to Dan in D.C.,
was he in the Pentagon today.
The phones still cut me off.
So we scrambled for any data,
looking for a Chicago connection:
the Sears Tower,
the John Hancock building,
these are national icons
that may be under attack…
But before we could gain our bearings,
only twenty-five minutes passed
before a plane crashed
into the ground
near Shanksville, Pennsylvania.

Shanksville, I thought,
I know someone there,
I searched, and found
Anna’s number,
but who was I kidding.
Those lines were cut off too.

#

It’s a strange feeling,
being a reporter
and not being able
to contact a single person.
Being detached from any lead,
coupled with a sinking feeling,
wondering if any
of the people you know
are physically hurt,
or even alive.

As a journalist,
you really feel hopeless,
like your hands are tied
behind your back.

We give the news.
We’re not supposed
to feel so stranded.

#

An hour after
the Pentagon was attacked,
the Sears Tower was evacuated.
This wasn’t my beat;
I had no contacts, no one
to help me through this disaster,
so I waited there
in case others
needed any assistance.

I sat back for a moment,
left there to wait,
thinking about
Mark and Don in New York,
Dan in D.C.,
even poor Anna —
I’m sure she’s not hurt,
but they’re now cut off to me.
As I said,
all I could do
was wait.

Clear your head of the people,
I could hear myself
say to myself.
You’re a reporter,
just break down the details
of what you see
instead of thinking of this
as another one of your
human interest articles…

The jet fuel,
the drywall,
all that paper
in those offices,
those people,
trapped,
they’re all
hydrogen, carbon, oxygen.
But wait a minute,
in Chicago I think
of the Sulfur smell
when it comes to gunfire.
But jet fuel is Sulfur-laden,
that burning drywall
emits Sulfur gas,
Sulfur’s even the third most common
mineral in the human body.

I mean,
I’m a newspaper reporter.
I know that Sulfur-based compounds
are used in pulp
and paper industries.

#

Yeah, I’m a newspaper reporter.
Just take a breath
and turn your head to the stats.

To clear my head
of the humanity,
the thought of so much Sulfur
being so much a part
of so many details in our lives,
made me think
of the destruction
that Sulfur was so much
a part of today.
I know I stayed here
to give a helping hand,
but with all that Sulfur
on my mind,
suddenly
all I could smell
was the burning,
and I couldn’t stop coughing
while I tried to catch my breath.

Forest Gander Poet & Translator

A writer in multiple genres, Gander is noted for his collaborations with photographers such as Sally Mann and Graciela Iturbide and with the dancers Eiko & Koma. He is a United States Artists Rockefeller Fellow and the recipient of fellowships from the Library of Congress, the National Endowment for the Arts, the John Simon Guggenheim Foundation, The Whiting Foundation, and the Howard Foundation. He is the Adele Kellenberg Seaver Professor of Literary Arts and Comparative Literatures at Brown University in Rhode Island

Gander is a translator with a particular interest in poetry from Spain, Latin America, and Japan. Besides editing two anthologies of Mexican poetry, Gander has translated discrete volumes by Mexican poets [1] Pura López Colomé, [2] Coral Bracho (PEN Translation Finalist for “Firefly Under the Tongue”), and [3] Alfonso D’Aquino. With Kyoko Yoshida, Gander translated Spectacle & Pigsty: Selected Poems of Kiwao Nomura (OmniDawn, 2011), winner of the 2012 Best Translated Book Award. The second book of his translations, with Kent Johnson, of Bolivian poet Jaime Saenz, The Night (Princeton, 2007), received a PEN Translation Award. Gander’s critically acclaimed translations of the Chilean Nobel Laureate Pablo Neruda are included in The Essential Neruda: Selected Poems (City Lights, 2004).
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James Joyce Reads ‘Anna Livia Plurabelle’ from Finnegans Wake

coulthart_joyce

James Joyce was born in Dublin on February 2, 1882, and wrote in A Portrait of the Artist as a Young Man: “Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.”

This is an August 1929 recording of Joyce reading a melodious passage from the “Anna Livia Plurabelle” chapter of his Work in Progress, which would be published ten years later as Finnegans Wake. The recording was made in Cambridge, England, at the arrangement of Joyce’s friend and publisher Sylvia Beach. “How beautiful the ‘Anna Livia’ recording is,” wrote Beach in her memoir, Shakespeare and Company, “and how amusing Joyce’s rendering of an Irish washerwoman’s brogue!”

JJ.10-punt

Deich bPunt – The Irish Ten-Pound note, first issued in 1993. Both sides are depicted, the front with Joyce’s portrait, and the back a tribute to Anna Livia Plurabelle. (This note almost did not make it back to the States – by our last day in Ireland, it quickly became, let us say, emergency funds; and was nearly traded for a bottle of duty-free on the way out of the country….) http://www.themodernword.com/joyce/joyce_images.html

you may also like Robin’s Laminations in Lacquer Poem at our new Poetry Life and Times. Robin is now our editor & admin at editor@artvilla.com & robin@artvilla.com and you can also visit our Face Book sites at www.facebook.com/Artvilla.com & www.facebook.com/PoetryLifeTimes

Samarium, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

Samarium

Janet Kuypers

from the “Periodic Table of Poetry” series (#62, Sm)
(based on the poem “And I’m Wondering”)
10/1/13

I’m wondering if there’s something
chemical that brings us together,
something that brings us to our knees,
something that sucks us in…

Your stare from a distance haunts me;
I know that your look lasts longer
than the Universe itself, so, if we join,
would we stay together forever?

I’m wondering if you’re sensing what I’m
sensing, is it just me, am I making this all up
in my head, or when I glance up and catch your
eyes, do you see how you’ve taken hold of me?

I look at you and think that you’re supposed
to be the one that’s good for everyone else,
that you’re supposed go out of your way to help
everyone else, and the one thing I do know

is that you don’t break down like everyone
else seems to with me, so maybe this attraction
to you might not cause to you leave me.
Maybe you’ll absorb me in, neutron by neutron.

Because really, I’m wondering if it could work out
this time, if we’d have one of those relationships
that no one ever doubts, especially us,
because we know we’ll always be in love…

I’ve been so drawn to you, you have that effect
on me, I can’t help it. This magnetism
is undeniable, the heat you generate can actually
ignite in the air with me. Maybe that’s why

I’ve been wondering why I felt the need
to take your cigarette and inhale, exhale,
while the filter was still warm from
your lips, there just seconds before.

I’ve seen you work well with others. My loved
ones with cancer, you could even help them.
It makes me a little jealous, because I’ve been
so drawn to you that I want you for myself.

Because really, when I catch your eyes from
across the room, when I see your eyes dart away,
when I feel this chemical reaction, well,
what I’m wondering is, do you feel it too.