This performance took place on 8 October 2016 20.35 BST in Leeds UK at the Inkwell Arts Centre. Editor’s Note
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art music poetry
Plight. A Poem by Renee’ B. Drummond-Brown
You don’t get that right
To understand our plight
Were you there?
When that slave girl
Was ‘KILLED’
The very day,
They stole her away
Were you there?
When that slave girl
Was bound
Shackled and chained
Cow bells on the neck
That ‘rang’
Were you there?
When she rode that vast ocean
On Noah’s waves
Of never ending rains
Were you there?
At ‘HER’ door of ‘NO RETURN’
Uneducated to your customs and ways
‘Wit’ an unfair playing ground while trying to learn
Were you there?
Standing on ‘dat’ Auction Block
At 14 years of age
As she watched
‘Dat’ Auctioneer’s gavel drop!!!
SOLD: TO THE HIGHEST BIDDER!
He’d say
To her dismay
ALL WAS AT LOST
Down to her family;
Just given away
‘FREE’ of cost
Were you there?
As she picked a bail,
O’ COTTON
Were you there?
When sorting out the bushel’s
That rotted
Were you there as she picked
All through her midnight
Were you there?
When she couldn’t give ‘Massa’
Any fight
Were you there?
When she warmed ‘Massa’
Anytime ‘HE’ wanted both day and/or night
Were you there?
When she ‘HAD’ to cast ‘ALL’ her cares
On a ‘god’
That she was ‘TOLD’ didn’t care
Were you there?
As she entered those back doors
Were you there?
When she was called a wench and then some more…
Were you there?
When she was kicked to the ground
Like Christ,
Got back up
And never made a sound
Were you there?
When she had to eat slime and hogs
Were you there?
To watch her treated less than a dog
Were you there?
When mixed babies came from her
Were you there?
When she begged ‘Massa’ to keep ‘do’s’ chillins’ in ‘dat’ dear dirt
Plus for ‘da’ one’s not belonging to her
Were you there?
As she watched
So many ‘HUNG ON HIGH’
Were you there?
When she stood tall
At it all
Never allowing to cry
Were you there?
While she couldn’t tire, sleep nor snore
Were you there?
When she polished silverware
Plucked string beans
While
Cleaning on hands and knees
O’ those ‘HATED’ hardwood floors
Were you there?
When Missy lied on her
Were you there?
At her foul treatment
Far less than dirt
Were you there?
At her rape(s), beatings and cries
Were you there?
As she wondered
‘IF’
God even cared
Let alone was alive
Were you there?
When she prayed to just die
Were you there?
When she ate
Humility pie
Were you there?
At worship
While sitting in ‘dat’ balcony
Asking permission
To use ‘BLACK ONLY’ facilities
Were you there?
When ‘dat’ slave girl
Was KILLED
The day they stole her away
And
You have nerve to wonder why???
You don’t get that right
To understand
I’ve been there
‘CAUSE’ SHE LIVES’
In ‘da’ ‘STEAL’ of my nights!!!
Author: Renee’ B. Drummond-Brown
(Authored: Renee’s Poems with Wings are Words in Flight and
SOLD: TO THE HIGHEST BIDDER)
Dedicated To: Black History Month
All Rights Reserved@2016
No part of this poem may be reproduced, stored in a retrieval system, or transmitted by any means without written permission from the author.
Biography
I, Renee’ B. Drummond-Brown, am the wife of Cardell Nino Brown Sr. and from our union came Cardell Jr., Renee and Raven Brown. I am the offspring of Mr. and Mrs. Peter C. Drummond of Pittsburgh, Pennsylvania. My siblings are Delbert D. Drummond and the late Pastor Shawn C. Drummond. I was born in North Carolina, at Camp Lejeune US Naval Hospital. I am a graduate of Geneva College of Pennsylvania, and my love for creative writing is undoubtedly displayed through my very unique style of poetry, which is viewed globally. My poetry is inspired by God and Dr. Maya Angelou. Because of them I pledge this: “Still I write, I write, and I’ll write!”
“Renee’s Poems with Wings are Words in Flight” is flown across the seas by God’s raven. There are several Scriptures that I love; however, this one speaks volumes during this ‘season’: “And he sent forth a raven, which went forth to and fro, until the waters were dried up from off the earth.” (Genesis 8:7 KJV)
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New Lyn Lifshin Poetry Book. Alive Like a Loaded Gun.

ISBN-10: 069272995X
ISBN-13: 978-0692729953
www.amazon.com
Intense and charmingly erotic, this new volume from Lyn Lifshin explores female personas including Enheduanna and Leda’s daughter. In this collection, Lifshin’s ‘barbaric yawp’ asserts its independence once again. This series of poems claims unfamiliar territory for the” queen of the small presses”.
www.transcendentzeropress.org
THE CELTIC BIRD GODDESS
her curves, graceful
as the crane, a slim
beauty. Some believe
she arose from the
fantastic Other World
along with fairies
and elves. Her eyes,
emerald, skin pale as
any sea bird darting
thru foam, delicate as
foam. Crows and
ravens braid anklets
of darkness around her
thighs. Displease her
and her eyes glower,
eagle-fierce. Peacock-
like, a symbol of
purity, she is like a
heron, mating for life,
an ouzel, small but
tenacious. Her feathers
charm and disarm,
ribbons of
feathers linked
to ancient mysteries
ANOTHER BIRD GODDESS
her image in clay,
she is dancing
with other women
with egg shaped bodies.
In her house, pomegranates,
the fruit of the dead.
Where new fresh
life waits in
the womb of
the divine feminine,
blossoming stems
of vegetation
sprout from her hands

Lyn Lifshin at the Horse Museum
Lyn Lifshin has published over 140 books and chapbooks and edited three anthologies of women’s writing including Tangled Vines that stayed in print 20 years. She has several books from Black Sparrow books. Her web site, www.lynlifshin.com shows the variety of her work from the equine books, The Licorice Daughter: My Year with Ruffian and Barbaro: Beyond Brokenness to recent books about dance: Ballroom, Knife Edge and Absinthe: The Tango Poems. Other new books include For the Roses, poems for Joni Mitchell, All The Poets Who Touched Me; A Girl goes Into The Woods; Malala, Tangled as the Alphabet: The Istanbul Poems. Also just out: Secretariat: The Red Freak, The Miracle Malala and Luminous Women: Enheducanna, Scheherazade and Nefertiti. web site:www.lynlifshin.com
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Twenty Four Seven. A Poem by Robin Ouzman Hislop
Donde se liberan titled by hijacking planes
debate Kenya gave act el nihilismo NYC
had a secret after
to Strike un momento determinado
actor important cattle to los hechos
the suspicious individuals on potenciales experiencia de el seno
Most of his flight.
Most his flight. Maasai tribe of ocho años después de la versión
Agravación de targeting NYC.
Michael would be later periodista que claim
and they donde surge la humanidad demuestra
donde quiera que recorren el mundo una agravación.
Another nearby attacks. Another nearby attacks.
Hijackers en revista el terrorismo aparece
the Center’s most famous Jackson had a criminalidad se desarrolla.
Authorities did not America as aid, did not America as aid.
The CIA se produce social sufre cambios dio inicio
a building that collapsed
donde President George comienzan a degradarse but overslept.
Comienzan a degradarse but overslept
in sobre on his valores y social targeting NYC,
possibly office on sobre el tema but overslept.
7 meeting at the another nearby attacks.
In US “saying morales donde triunfan was later found World Trade Center, Odnako.
Found World Trade Center, Odnako. Revista rusa.
James la veracidad en un artículo el cinismo y las relaciones
– pasa America as aid.
– pasa most of his flight.
14 of their 25th floor of Odnako.

Robin Ouzman Hislop, born UK, a reader in philosophy & religions, has travelled extensively throughout his lifetime but now lives in semi- retirement as a TEFL teacher and translator in Spain & the UK.
Robin was editor of the 12 year running on-line monthly poetry journal Poetry Life and Times. In 2013 he joined with Dave Jackson as co-editor at Artvilla.com, where he presently edits Poetry Life & Times, Artvilla.com, Motherbird.com.
He’s been previously published in a variety of international magazines, later publications including Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N. Carolina), The Poetic Bond Volumes (thepoeticbond.com) and Phoenix Rising from the Ashes (a recently published international Anthology of Sonnets). His last publication is a volume of collected poems All the Babble of the Souk available at all main online tributaries
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A Video Poem by Tony Martin-Woods
SWEET LITTLE SPERM

Tony Martin-Woods started to write poetry in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada (Transforming with Poetry), an online publication of political poetry that he edits. Tony is a political and artistic activist who explores the digital component of our lives as a means to support critical human empowerment. He is also known in the UK for his work as an academic and educator under his non-literary name. He writes in English and Spanish and has published his first volume of poetry Los viajes de Diosa (The Travels of Goddess) 2016.
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