Africa North. An Excerpt from All the Babble of the Souk by Robin Ouzman Hislop

Africa North


Solstice winds, rain return in spells
a moon waxes full, dogs howl as well.

All the babble of the Souk
men over there, over there women.  

All the life of the planet
so little part of it that I breathe.

Weather beaten highlands, once passed through.

The river bed, no more like a parched bone
its late autumnal river meanders as a vein
past four reservoirs
a quest that will end in winter´s flood.

Between them are momentary mists
where brightly clad figures of the north, suddenly dim.

On the frontier’s beach taxis come, go
only the stranded remain, together with the seagulls
four men huddled, drenched in pouring rain
dead once more, again, all pathways home
washed away, again.  A broken song

remember me, sung in a doorway
brings the world at large together
as suddenly as it narrows.

Water runs on marble
nakedness revealed, nakedness concealed
form water words, water memories, mists, fates.

Veins wrestle the marble into mangled knots
blemished pearls on an implacable skin
shards leaving fragmentary traces
empty spaces awaiting faces.

Lights dance in the night, picturesque
“casas blancas del pueblo”
appear through the darkness

as the brush strokes of my mind steal the action of the shadow.

Mists cordon the mountain tops
guerdoned crowns  like wreathes.

Ancient fields' still colours surrounded
by burgeoning new lead to the valley below.

Old women , old as aglow, so slow they go
poised aloof in an untouchable world, trapped.

High in kiln firelight they cowl night’s shade
to oversee goats on the hill beneath.

Daughters of necessity naked in the rock
unleashed in white trefoil in the marsh
swamp of night rain, stark where epochs
sleep in their shadows

replication of memories, where the old
becomes the new, a world splits in two
with Morpheus in the breach.  

Beyond control, beyond reach the erratic butterfly
flits bloom to bloom, the intrepid stalker with net
both captured in the mimic mould.

A  knot is tied, a knot that wrestles
embraces, that ravels birth
unravels death & binds its existence.

Her face is as if a moon glazed over
with a less serene ceramic dust that in the end
after its perplexity contains its surety.

She draws her forefinger laterally across
under her eye lid in a smear

nor can you change the image of what you are
in the pupil of her eye.

Babble bodies blur
voices with their echoes down the street
sky high, prices fly

a bird song breaks, a splash charade
Faces in the rain thin
weakness of watery years.

A winnowing canvass tosses corn
as fireflies in the blazing day.

The hag in her rags begs her bag
holding all shadows to account.

You sit in the solitary corner
at the empty dice board
to throw, as the music swells, as strings play.

On the washing line clothes of all shapes
sizes are waiting to be filled
suspended between earth, sky, where white sheets blow.

A twinge of nostalgia flashes
a link between a fluttering curtain
an open window frame, a sun shadow game
a flickering apparition pattern leaving only - strands.

A breeze flutters an open foolscap on the table
as though a phantom reader
should flick with regard through a score of notes
then stops at the first blank white sheets
stays, the moving hand that wrote, wrote no more.

On record, old honky-tonk goes on
amidst the heaps of consumer city sneakers
in the same dust where faces
turn from their spring red lustre to a sun soiled wear

through a beehive of allies
names, aye to fetch them home again
as if where the countless dead resided, you’d said
in a market of women shrouded in shawls.

Berlin falls, Baghdad falls
all the years turn to further tears
further fears to merge with your voyage
the shape of dreams to come
to be only endearments of what has gone before.

A flower opens after a thousand years in a shell of tears
indifferent to its beholders’ sight
who paint it with the colours from the waters of their night
on an unknown shore, to whose sight it opened once before.

Children’s faces like radiant imps
play carefree in the streets below
overhead on red tiles, fat pigeons bicker, coo.

In an internet cafe, an Arab girl discrete in headdress
plays with cartoon molecules of Micky Mouse
Kola bear

nubile women’s faces dream of nudity in their shrouds.

Wonky pinz nez specs, jumble sale clothes
bad teeth, unshaven grin
looking a faded duplicate of a down
out James Joyce with the come on
are you Irish, he asks
perhaps he was once upon a time.

They came through the cleft of the mountain
 - where the river ran
to swim as a blur in the naked purple of the eye

on the mountain face there is a scar
once a sacred place, now extinct, as they are.

Yet wild still she runs, amidst the sheep, goats
toils at the hearth, dutifully bears children
yesterday she knows but not tomorrow
where she hides her sorrow

even as he ploughs the hillside
a photo will steal his soul, but his beasts will do.

Twilight’s girls, girls, girls
throng the bustling street corners eating caracoles.

By day the olive tree green in the blue sky of the window
seems almost immortal enriched with the blood
it’s enriched, now at its roots.
Costa de la playa, white beehives in the sun, all money, no honey.

In the broken lights of the bazaar
the dusky eyes of the beggar sunk in their sockets
maze in crooked cul de sacs embargo amidst
the furls of silk that foil the flickering lantern niche.
In the gloaming a solitary reaper reaps its shadow.
Streets packs ravage carcasses
at dawn, the city wakes to the city’s obedience
to obey its disappearing shadows.

A ghost city of watchers
watched as shadows by a memory that has outlived them
now fragments in an admixture of old, new
- amidst a junk yard of rubble

watcher shadows phased captive to their fading stories.

The street’s mechanics of the day
obey their limits, patterns of parts
where we end only to start in a series of nows

post mortem of the world at large
an autopsy of ghosts on the slab.

Born to see, in the boutiques people seem
like their own mannequins
existence is a mystery with no purpose

only we endow it with a destiny, it does not seek from us.

All the Babble of the Souk.amazon.com

Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author.

See Robin performing his work Performance (University of Leeds)

Melcome | Poem by Jessica Skyfield

Melcome

to my echo chamber.

I’m having fun, (right now).

And that’s what it’s all about, right?

Now.

Behold the meaningless rantings of a mad(whoa)man.

Sliding slipping sagging

as time warps and wears

picking up speed on the downhill slide.

Infinite neural networks

these/those/them/there/their/they’re sliding glass doors shut

but I can still see back through;

LET ME IN!

It’s cold outside.

Scaramouche is fandangoing

and nothing truly

really

matters

at all.*

*Actually, everything matters/everything’s matter and this is just a coping

mechanism for reality because everything is so big and I am so little and

the forces that exist are so great and I don’t feel strong enough…said hurriedly with flushed cheeks and zero free oxygen anywhere.

But I’m trying.

In Ordinum ist Progress.

(What esoteric concepts!–whose order and progress towards what?!)

Literally all our plundering is in the name of progress, so…

& of course I moved to the state whose motto is Ad astra per aspera.

ad nauseam per Astrae, 

blundering through inumerable difficulties

tale as old as Time.

Hit me where the wind blows

& know that endless questioning is nothing but to beg for sorrow.

Adapted ahead of print from JP Skyfield’s Condensed Chronology.

About That First Love and other Poems by John Grey

ABOUT THAT FIRST LOVE

It did not feel like they had told me.

Less emotional, more like somebody

gifting me a brand new red sports car.

Hormones, I barely understood.

But horsepower was a cinch.

I didn’t lose my heart.

It was more a great flap in my head.

And it wasn’t war of course.

Not unless I wanted the other side to win.

It did strange things to conversation.

When I spoke to the girl,

it was like offering her a bite

of my candy bar.

Words had to taste delicious.

Or she had to be prepared to make a sacrifice,

devour them spit and all.

It was dividing myself in two.

One half still threw footballs.

The other was careful none landed

unsuspectingly near her.

And she wasn’t even the real thing.

First love was just rehearsal for second love.

And all I knew of second love was

that one of them was me.

GWEN CONFESSES

He rode in on a
glorious steed of Rilke,
alighted like pick-pocketing
Wordsworth from
a crowded shelf of prose.
He was dressed in a fancy, glittering suit
of Flaubert and Fitzgerald,
though his weapons were Russian novels,
“War and Peace,” “Crime And Punishment”.
he sure had me covered.
When the villains arrived…
Grisham, Clancy and
some Harlequin hired hands,
he was waiting for them
with Racine, Pushkin and Cervantes.
It was all over before you could say,
“For Whom The Bell Tolls.”
No, he didn’t take me in his arms,
but he did recommend I read
Durrel’s “Alexandria Quartet.”
We would have rode off into the sunset
together but, luckily, there was
a Starbucks next door.

THE RITE OF COUPLING

It’s Saturday night, a glitzy nightclub,

and I’m feeling useless and lonely

until I spy an attractive woman

sitting all alone at a nearby table.

I’m thinking to myself,

this is the angel who will restore me

to the very pinnacle of manhood.

She has long blonde hair

and I appreciate the way she tosses it.

And her eyes are surely blue

though the cross-breed lights,

the boogieing shadows, won’t yet concur.

I stand and stare in one motion.

A few confident steps,

some of my best one-liners,

and before you know it we’re dancing…

we’re a couple even.

If only it were that easy.

If the angel, precious as she may be,

weren’t just some replica of myself –

embarrassed by the past,

concerned for the future.,

and stuck here in some kind of perverse present

of money worries, family issues

and relationship anxiety.

My nerves fail me.

I return to my forlorn drink and chair.

The dance-floor is a throbbing, buzzing hive

of men and women.

Those guys andme-1can’t get over how alike we are.

And the women —no different from her, surely.

Before the approach,

I wonder how secure they were in the knowledge.

Did they imagine perfectly matched twosomes,

here, there, in all directions?

Are we meant to be together, that’s what I want to know.

The song that’s playing keeps implying yes.

And yet it’s not one I know.

She’s not singing along.

I’m not either.

John Grey is an Australian poet, US resident, recently published in Stand, Washington Square Review and Rathalla Review. Latest books, “Covert” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon. Work upcoming in the McNeese Review, Santa Fe Literary Review and Open Ceilings.

The New World Order | Poem by Ray Miller

The holiday romance is wintering

in the blankets of her bestest buddy.

There’s an empty ring in the silver tin,

and candles light the depths of her study,

where she’s practising pole dancing and  TEFL;  

she’ll throw a dart in a part of the globe

and chase the arrow for some precious metal

while her lips and her legs remain in vogue.

It’s closing time in the gardens of the West,

we can’t afford the servants any longer.

She’s in a tipsy state and a flimsy dress,

bent over at the wrong end of a conga.

Foreign eyes are leering at your daughter

in the queue for the new world order.

“Ray Miller is a Socialist, Aston Villa supporter, and faithful husband. Life’s been a disappointment”

Fifties Feature | Poem by Linda Straub

fifties feature poem

“50’s Feature”

by Linda Straub

Mother wore an off the shoulder dress

that swirled ’round her slender waist

and kissed a starched crinoline.

Father’s hair was ebony black,

a series of soft waves rolling down

his scalp, breaking on a rocky spine.

I sat in the back of their ’57 Chevrolet

eating popcorn and watching

James Dean on the Drive-in screen.

A squadron of speakers hung

from car windows where crackling

voices of movie stars faded in and out.

Sleep snuck up from behind

and stretched my weary body

across the wide back seat,

where my last sight

on that Summer’s night

was my Father’s wavy hair

dressing my mother’s bare shoulders.