Letting Go Poem by Daisy Sidewinder

I dreamed I must

let go of you, the

man I loved

with so much turbulence

and still love now

sometimes

on lonely, bluesy nights

It was as if

your soul crawled

from its sooty cave

into the light

and speaking softly

unaccustomed

these long decades

to honest speech

blinded for a moment

by long-forgotten beauty

the forest greens

beyond the field

dark and warm

amidst the sunlit

prairie grass in which

we stood.

It’s too late you

say it’s far too late

vague shapes behind

me walking talking

slow and serious

a little too impersonal

say he is right

it is too late

there will be no

reprieve.

But no, I will not

listen, I have hope

to fix your ailing liver

sweep away the virus

rearrange the neurons

in your brain with

Keep Out signs for

your addictions

and band aids

many band aids

for the pains

of your existence.

There is no hope

no hope at all

the voices say

and you agree

and look away.

You can fight

this I tell you

I will argue

your case before a

judge, St. Peter himself,

and a jury

of twelve strong angels

good and true

and we will win

I say, for I will be

so eloquent

to make the angels cry.

No no, you shake your head

no no the voices echo

those unseen figures

pacing close behind me

a little out of focus

always behind me

no matter how I

turn to try to face them.

I think you see them

and the distant forest

I see that you are

like one half asleep

and half aware

not ready yet

to run across the grass

and plunge into the trees.

You are much younger

here, the you who

lives inside

your shell of pain.

I cannot ask

that you would

stay inside

the crusted cave of

your design.

The roof becomes

too heavy with the

weight of your collections

and the uninvited bats

and barnacles of

life and age.

I fear I recognize

some barnacles and cobwebs

there, remnants of those

days of you and I

accidently forgotten or cast off

of course, I never meant

to darken your windows.

I had the best intentions.

My heart says stay

please stay

don’t brush away

the cobwebs of

our life together

grimy and heavy

as they may seem to you.

I sometimes shine

those cobwebs lovingly

and patch them up

with crazy glue.

My soul says run

into the woods

with joy, be free.

But none of this

is really up to me.

via Wordplay Poetry Blog » Blog Archive » Letting Go of Jim Poem by Daisy Sidewinder.

Mermaid Poem by Dandelion De La Rue

Mermaids were often featured in the decoration of Medieval churches, particularly in the British Isles. Often shown holding a comb and mirror, mermaids not only embodied the sins of pride and vanity, but were also often used to represent the sin of lust. Images of mermaids holding a fish or starfish were used to represent a Christian soul that had been lost to the deadly sin of lust, and were placed in churches to warn churchgoers not to be seduced by such evils

I immediately thought of J. Alfred Prufrock and how sorry he was because he didn’t think the mermaids would sing to him, well, of course not, he was too careful. So I wrote this poem. I’m not sure its publishable because Prufrock and Zorba aren’t household words anymore. Prufrock always reminded me of one of my grandfathers.

 

For the Love of the Merpeople

 

The mermaids sang

to lusty Zorba

I am sure, but not to

Prufrock, so he said,

he of tiny

dibs and dabs

of life, drizzled on

his plate with tiny

spoons.

 

Did he regret

what he had missed?

I think he did.

I see him sadly

staring at the waves,

hoping for

a second chance,

but fearing,

ever fearing,

nearly everything.

 

I see so

many Prufrocks

on the news,

they’re so afraid

of getting hurt

and so afraid

of life without

insurance.

 

But those who

guzzle life

from gallon jugs,

I think the

mermaids love them.

I Drive These Streets by John Eagle and Andy Derryberry

John Eagle
John Eagle
John Eagle

I Drive These Streets at Night

By Andy Derryberry and John Eagle

I drive these streets at night
With moonlight on the chrome
Why I don’t just give it up
And take my body home

I’ve never felt so helpless
To cure my aching heart
So I drive these streets at night
To ease this broken heart

Chorus
I drive these streets alone
The wind and stars my kin
Listening for your voice in song
To live this love again

Your memory is on my mind
Like the pines whispering song
If I could live my life again
I’d fix this fateful wrong

The radio sings to me
Songs of joy and pain
While I carry a heavy heart
In sunshine or in rain

Chorus
So I drive these streets alone
The wind and stars my kin
Listening for your voice in song
To live this love again

Darkness gives way to light
The sky is gold and warm
No longer can I carry this load
Of you not in my arms

Home is just a place to be
Like the hills and the streams
But if by chance I fall asleep
I hear you in my dreams

Chorus
So I drive these streets alone
The wind and stars my kin
Listening for your voice in song
To live this love again
To live this love again

Janet Kuypers Video Haiku

Professional performance artist Janet Kuypers (http://www.janetkuypers.com) is a writer, photographer and professional singer and published, editing 2 literary magazines while running Scars Publications (http://scars.tv), publishing magazines, books & CDs. She has 80+ books published (poetry, prose, novels, art), sung in 3 bands, and her CD releases (40+ in 2010) appear at iTunes & other online vendors. She ran an Internet radio station from 2005-2009, & now hosts a weekly poetry open mic in Chicago(http://www.chaoticarts.org/thecafe), with weekly Podcasts.








 

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Praseodymium, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

Praseodymium

Janet Kuypers

from the “Periodic Table of Poetry” series (&#03559, Pr)
with elements of the poems “a Match” and “Rings Like Gravestones”
10/15/13

“I once set fire to my fingernail.
I wanted my finger to be a
human candle.”
She dropped another match into her glass.
The flame sizzled
in the drops of drink at the bottom.

In a corner booth, in this small club
the flame she aroused looked like
any other table light.
But if you looked too closely,
the light would scorch your soul,
would burn your eyes hollow.
That little piece of energy she held
could be so intense
that you needed that Praseodymium
in your eye glasses
just to look for another second.

The flame she aroused
looked like any other light,
but she knew she was destined
for the big screen,
complete with studio lighting
and projector lights
from the motion picture industry
broadcasting her to the world
through arc lights.

So she struck another match
at the side of the box.
Six or seven lay on the cocktail napkin,
ten more at the bottom of the glass.

She’d watch the reflection
of the gemstones in rings
across her fingertips
reflecting that flame.
The yellow-green cubic zirconia
on each of her fingers
bounced the light of the flame
in thousands of directions.

She likes gemstones
on her rings, she doesn’t bother
with big earrings
or expensive necklaces —
she looks at her hands
because she likes rings;
she can’t help it.

A few of those peridot-inspired stones
were gifts from a loved one,
because they knew they were dying soon.
So she becomes the only one
treating these rings live gravestones,
even when no one has even died yet.

And the person that gave her these rings,
she knows they want to be cremated.
Just then you could see the flame
dancing at her fingertip.
She shook the match. She dropped it in her glass.