Art Canvas Cut Size Table 16 x 20 Gallery Wrap

linen canvas

linen canvas
When artists buy canvas in rolls it comes in several sizes, usually 54″ or 84″ wide. One wonders from where these numbers come.
The table below is to help artists buy canvas in bulk and stretch their own canvas.
This table can help determine how many canvasses may be cut from a certain size roll.
This first table is for gallery wrapped stretchers which are 1 1/2 inches deep. This allows 7 inches wrap or 3 1/2 inches extra material on each side for tacking on the back of the stretcher.

Here is how I use this table…..The column on the left shows that I can make two 27″ cuts across a 54″ roll to make two 20″ canvasses across with no waste. The left hand column shows how far down the roll I then go without wasting material…..12 cuts at 23″ is 207″……the table at the bottom says that 6 yards is 216″ so I can make 2 x 12 or twenty four 16″ x 20″ canvasses out of a 54″ roll at 6 yards

The table also shows that if I buy the 84″ roll in the catalogue I get three across and 3 x 12 or 36 canvasses per roll

Width Length wrap
20 16 7
27 23 Cut Size
54 46 2
81 69 3
108 92 4
135 115 5
162 138 6
189 161 7
216 184 8
243 207 9
270 230 10
297 253 11
324 276 12
351 299 13
378 322 14
405 345 15
432 368 16
459 391 17
486 414 18
513 437 19
540 460 20
567 483 21
594 506 22
621 529 23
648 552 24
675 575 25
702 598 26
729 621 27
Yards inches
1 36
2 72
3 108
4 144
5 180
6 216
7 252
8 288
9 324
10 360

 

This form of calculation is great but the standard sizes of roll and blankets of any cloth start with the loom. The first looms were 54″ and later came 84″. The standard sizes of canvas came from a “zero scrap” approach. I bought a blanket of linen which was 6 yards of 84″ wide material. When I unfolded it twice, it was 84″ x 54″….by making one cut I produced 4 pieces at 54″ x 84″. By folding and cutting twice more I had 32 pieces of 27″ x 22″ linen and no scrap. These pieces could be used to make either 16″ x 20″ gallery wrap or 18″ x 24″ standard stretched canvasses.

If you lay the blanket on the floor you will see that the folds have been made in such a way that measurements are often not necessary. Those funny looking numbers, 54 and 84 are carefully designed to waste little or no material.

 

 

 

 

 

Happy stretching.

 

david michael jackson…..editors@artvilla.com

 

Invictus Poem by WILLIAM ERNEST HENLEY

invictus

invictus

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.

No Kiss, a Poem by Seymour Shubin

Kisses

 

No Kiss

I’m sure, she said, you understand,
no kisses tonight
I have this cold, and so much
to do this week
And we have, you and I,
so much time, really now
well,, just a hug, she agreed,
Our heads to the side
Just this
Until
Where are you? she said

 

Why Me

Why Me? Shubin asks, wondering why he is still here when so many other loved ones have gone before him. But every reader of this book comes away with the answer: “It’s because we need the insight and wisdom you give us in this beautiful book, Seymour Shubin—and we long for more.”……. Barbara Brett

Mac the Knife.Poem.Berthold Brecht.(1898-1956)Translated John Willet.Reader Tom O’Bedlam.

 

 

Editor’s Note: these comments below accompany the text. ‘Not Mack the Knife’. It’s a later translation by John Willet and truer to the original score and it’s not known of anyone who sings all of it. Brecht was impressed by John Gay’s ‘The Beggar’s Opera’ 1728 , and wrote his own musical version in German, ‘Die Driegroschenoper’ (The Threepenny Opera) in 1928. Like the original it is set in London, McHeath presumably is a cockney. There’s an epidemic of knifings  amongst London teenagers, yet Mack the Knife is popular and sung as a jaunty little number. If you listen to the version of Brecht’s musical you realise that it wasn’t meant that way. He’s become a folk hero. We accept he’s a thief and a murderer, so why should it come as a surprise he’s a child rapist too? Why leave that out?

 

robin@artvilla.com

editor@artvilla.com
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