Twenty Four Seven. A Poem by Robin Ouzman Hislop

Donde se liberan titled by hijacking planes
debate Kenya gave act el nihilismo NYC
had a secret after
to Strike un momento determinado
actor important cattle to los hechos
the suspicious individuals on potenciales experiencia de el seno
Most of his flight.
Most his flight. Maasai tribe of ocho años después de la versión
Agravación de targeting NYC.
Michael would be later periodista que claim
and they donde surge la humanidad demuestra
donde quiera que recorren el mundo una agravación.
Another nearby attacks. Another nearby attacks.
Hijackers en revista el terrorismo aparece
the Center’s most famous Jackson had a criminalidad se desarrolla.
Authorities did not America as aid, did not America as aid.
The CIA se produce social sufre cambios dio inicio
a building that collapsed
donde President George comienzan a degradarse but overslept.
Comienzan a degradarse but overslept
in sobre on his valores y social targeting NYC,
possibly office on sobre el tema but overslept.
7 meeting at the another nearby attacks.
In US “saying morales donde triunfan was later found World Trade Center, Odnako.
Found World Trade Center, Odnako. Revista rusa.
James la veracidad en un artículo el cinismo y las relaciones
– pasa America as aid.
– pasa most of his flight.
14 of their 25th floor of Odnako.

Robin Portrait July Sotillo 2016 by Amparo
Robin Ouzman Hislop, born UK, a reader in philosophy & religions, has travelled extensively throughout his lifetime but now lives in semi- retirement as a TEFL teacher and translator in Spain & the UK.
Robin was editor of the 12 year running on-line monthly poetry journal Poetry Life and Times. In 2013 he joined with Dave Jackson as co-editor at, where he presently edits Poetry Life & Times,,
He’s been previously published in a variety of international magazines, later publications including Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N. Carolina), The Poetic Bond Volumes ( and Phoenix Rising from the Ashes (a recently published international Anthology of Sonnets). His last publication is a volume of collected poems All the Babble of the Souk available at all main online tributaries Ouzman Hislop All the Babble of the Souk. Robin Ouzman Hislop All the Babble of the Souk. Robin Ouzman Hislop the Babble of the Souk

A Video Poem by Tony Martin-Woods

A Video Poem by Tony Martin-Woods


tony republic
Tony Martin-Woods started to write poetry in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada (Transforming with Poetry), an online publication of political poetry that he edits. Tony is a political and artistic activist who explores the digital component of our lives as a means to support critical human empowerment. He is also known in the UK for his work as an academic and educator under his non-literary name. He writes in English and Spanish and has published his first volume of poetry Los viajes de Diosa (The Travels of Goddess) 2016. Ouzman Hislop All the Babble of the Souk. Robin Ouzman Hislop All the Babble of the Souk. Robin Ouzman Hislop the Babble of the Souk

Legends of Jazz

“He became aware that Esquire was planning a big issue on jazz,” says Jonathan Kane, Art’s son, a musician and photographer who also manages his late father’s photographic legacy (Art Kane died in 1995). “He cooked up the idea of doing a big portrait (with) all these musicians. Art pitched his crazy idea, and they said, Do it.” There was no question about where he would shoot. “Harlem was where the jazz scene came into being and coalesced,” Kane says. “It had to be in Harlem. And he wanted a place that reflected everyday life rather than a club. This could be a street where anybody could live.”
…….Daily News

Click on a musician to listen:
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Janet Kuypers’ “Voting for Change” 7/2/16 politically themed poetry feature

Janet Kuypers’ “Voting for Change” 7/2/16 politically themed poetry feature

    Below are video links from a July 2nd 2016 (7/2/16, or 20160702) poetry performance (with accompanying guitar music by John) of Janet Kuypers’ Austin poetry feature through Expressions 2016: Poets Parliament! at Austin’s the Bahá’í Center (at 2215 E M Franklin Ave, Austin, TX 78723) that incorporated poetry into politics (and potentially solve political problems poetically). Because political pundits and talking heads are on many 24-hour news channels, Kuypers opted to “show” herself in tis show as a “talking head”, by not only remaining seated (like an anchorperson) but also filming herself on stage and simultaneously broadcasting her “performance” on a television right on stage next to her… Because in the past, when she has done this in Chicago shows, she learned that most audience members, like the average American, are often more fascinated with watching a television screen than watching a person live on stage.

    Because this was a politics-themed performance, and because the usually give away stickers to p[eople after voting to show the world they voted that day, Kuypers thought a appropriate title for her show would be “Voting for Change” (since a third party never can make enough money to spend their way into position in this country, there are usually only two viable candidates for any position, which usually forces the voter to chose between the lesser of two evils whenever they enter a polling booth).

    Before the show started she also released copies to most everyone there of a chapbook of the writings she was performing in her show (in the order they were performed), and all of the pieces from this reading were also released electronically in a “Voting for Change” chapbook, which you can download as a PDF file for free any time.

    Below are video links to the live performance of “Voting for Change” at Expressions 2016: Poets Parliament! in Austin.

Here is a listing with links to all of the writings performed in this liveshow:

True Happiness in the New Millennium (2016 edit)
The State of the Nation (2016 edit)
Everything was Alive and Dying (2016 political edit)
a Great American (2016 edit)