<\/p>\n
Filming \u2018Blood Shot Silk\u2019 \u2013 Deleted Scene (38)<\/span><\/span><\/strong><\/p>\n <\/p>\n One frame inheriting another\u2026<\/span><\/strong><\/p>\n Blood on marble and white roses.<\/span><\/strong><\/p>\n Stand-alone vampire crystallizes into a statue.<\/span><\/strong><\/p>\n The nearest pall-bearer sucks air. Crushed urn.<\/span><\/strong><\/p>\n <\/p>\n \u00a0Froth overruns chapelry pews<\/span><\/strong><\/p>\n Through a hinge-wrecked door \u2013<\/span><\/strong><\/p>\n \u00a0An ephemeral embodiment.<\/span><\/strong><\/p>\n <\/p>\n Filming \u2018Blood Shot Silk\u2019 \u2013 Deleted Scene (39)<\/span><\/span><\/strong><\/p>\n <\/p>\n \u00a0Take No. 7<\/span><\/strong><\/p>\n \u00a0In rubescent lam\u00e9 pyjamas.<\/span><\/strong><\/p>\n \u00a0Sabrina Roper\u2019s is a skin-deep part,<\/span><\/strong><\/p>\n \u00a0Moulding exposed nerves<\/span><\/strong><\/p>\n \u00a0In the screening room. <\/span> <\/strong><\/p>\n \u00a0A moon-buffed kiss on hand.<\/span><\/strong><\/p>\n \u00a0His Satanic Majesty simpers.<\/span><\/strong><\/p>\n Runaway violin a bedlamite tango\u2026<\/span><\/strong><\/p>\n Chimps neighing over the sobs of men\u2026<\/span><\/strong><\/p>\n <\/p>\n Filming \u2018Blood Shot Silk\u2019 \u2013 Deleted Scene (40)<\/span><\/span><\/strong><\/p>\n <\/p>\n \u00a0The picture palace reviews<\/span><\/strong><\/p>\n \u00a0May get off-the-beam<\/span><\/strong><\/p>\n \u00a0About the overacting.<\/span><\/strong><\/p>\n \u00a0Hold the focus,<\/span><\/strong><\/p>\n \u00a0Instantaneous sunrise behind a shot –<\/span><\/strong><\/p>\n \u00a0Costumes: the fantasia keeps time<\/span><\/strong><\/p>\n \u00a0With a hue and cry.<\/span><\/strong><\/p>\n \u00a0The limelit alehouse at dead of night.<\/span><\/strong><\/p>\n \u00a0Our Stunt Co-ordinater isn\u2019t exasperated<\/span><\/strong><\/p>\n \u00a0By bee swarms in gusts,<\/span><\/strong><\/p>\n \u00a0Nor the beg-hard grimace<\/span><\/strong><\/p>\n \u00a0On Manola Dean\u2019s hauled up face.<\/span><\/strong><\/p>\n <\/p>\n \u00a0Filming \u2018Blood Shot Silk\u2019 \u2013 Deleted Scene (41)<\/span><\/span><\/strong><\/p>\n <\/p>\n \u00a0Fuzz on Bevan\u2019s palms<\/span><\/strong><\/p>\n \u00a0Flaunted as the transom\u2019s pegged.<\/span><\/strong><\/p>\n \u00a0Simon, the Boom Operator, tips to the left.<\/span><\/strong><\/p>\n \u00a0Cut to\u2026billboard puffing the movie show \u2018Nosferatu\u2019.<\/span><\/strong><\/p>\n <\/p>\n \u00a0Camera 6 whirls to Sabrina Roper<\/span><\/strong><\/p>\n \u00a0In the ruck of a bee-keepers net.<\/span><\/strong><\/p>\n \u00a0A schnauzer piddles in floorboards.<\/span><\/strong><\/p>\n <\/p>\n \u00a0The relinquished rocking chair teeters<\/span><\/strong><\/p>\n \u00a0Indicating tea, sandwiches<\/span><\/strong><\/p>\n \u00a0And a twist-ragged Script Conference.<\/span><\/strong><\/p>\n <\/p>\n Filming \u2018Blood Shot Silk\u2019 \u2013 Deleted Scene (42)<\/span><\/span><\/strong><\/p>\n <\/p>\n \u00a0Smoke machine on a brae\u2026<\/span><\/strong><\/p>\n \u00a0A hog spews on moss.<\/span><\/strong><\/p>\n \u00a0Effervescence in dirty sky.<\/span><\/strong><\/p>\n \u00a0Disfigured colour sergeant gains time,<\/span><\/strong><\/p>\n \u00a0Pulls out a smooth-bore.<\/span><\/strong><\/p>\n \u00a0Snigger, incandescent flash.<\/span><\/strong><\/p>\n \u00a0The dream is taking flesh.<\/span><\/strong><\/p>\n \u00a0Drumroll on soundtrack \u2013 mental note.<\/span><\/strong><\/p>\n \u00a0The regular steps of the fait accompli<\/span><\/strong><\/p>\n \u00a0May be fair-weather, deleted.<\/span><\/strong><\/p>\n <\/p>\n <\/p>\n \u00a0Christopher Barnes, UK. Some bio details…<\/span><\/strong><\/p>\n <\/p>\n In 1998 I won a Northern Arts writers award.\u00a0 In July 200 I read at Waterstones bookshop to promote the anthology ‘Titles Are Bitches’.\u00a0 Christmas 2001 I debuted at Newcastle’s famous Morden Tower doing a reading of my poems.\u00a0 Each year I read for Proudwords lesbian and gay writing festival and I partake in workshops.\u00a0 2005 saw the publication of my collection LOVEBITES published by Chanticleer Press, 6\/1 Jamaica Mews,\u00a0Edinburgh.<\/span><\/strong><\/p>\n On Saturday 16Th August 2003 I read at the Edinburgh Festival as a Per Verse poet at LGBT Centre, Broughton St.<\/span><\/strong><\/p>\n \u00a0I also have a BBC web-page\u00a0<\/span>www.bbc.co.uk\/tyne\/gay.2004\/05\/section_28.shtml<\/span><\/span><\/span> and\u00a0<\/span>http:\/\/www.bbc.co.uk\/tyne\/videonation\/stories\/gay_history.shtml<\/span><\/span><\/span><\/a> (if first site does not work click on SECTION 28 on second site.<\/span><\/strong><\/p>\n Christmas 2001 The Northern Cultural Skills Partnership sponsored me to be mentored by Andy Croft in conjunction with New Writing North.\u00a0 I\u00a0\u00a0 made a radio programme for Web FM community radio about my writing group.\u00a0 October-November 2005,\u00a0I entered a poem\/visual image into the art exhibition The Art Cafe Project, his piece Post-Mark was shown in Betty’s Newcastle.\u00a0 This event was sponsored by Pride On The Tyne.\u00a0\u00a0I\u00a0made a digital film with artists Kate Sweeney and Julie Ballands at a film making workshop called Out Of The Picture which was shown at the festival party for Proudwords, it contains\u00a0my poem The Old Heave-Ho.\u00a0\u00a0I worked on a collaborative art and literature project called How Gay Are Your Genes, facilitated by Lisa Mathews (poet) which\u00a0exhibited at The Hatton Gallery, Newcastle University, including a film piece by the artist Predrag Pajdic\u00a0in which I\u00a0read my poem\u00a0<\/span>On Brenkley St.<\/i><\/span>\u00a0 The event was funded by The Policy, Ethics and Life Sciences Research Institute, Bio-science Centre at Newcastle’s Centre for Life.\u00a0\u00a0I was\u00a0involved in the Five Arts Cities poetry postcard event which exhibited\u00a0at The Seven Stories children’s literature building.\u00a0 In May\u00a0I had 2006\u00a0a solo art\/poetry exhibition at The People’s Theatre why not take a look at their website <\/span>http:\/\/ptag.org.uk\/whats_on\/gallery\/recent_exhbitions.htm<\/span><\/span><\/span> <\/strong><\/p>\n The South Bank Centre in London recorded my poem “The Holiday I Never Had”; I can be heard reading it on <\/span>www.poetrymagazines.org.uk\/magazine\/record.asp?id=18456<\/span><\/span><\/span> <\/strong><\/p>\n REVIEWS: I have written poetry reviews for Poetry Scotland and Jacket Magazine and in August 2007 I made a film called ‘A Blank Screen, 60 seconds, 1 shot’ for Queerbeats Festival at The Star & Shadow Cinema Newcastle, reviewing a poem…see <\/span>www.myspace.com\/queerbeatsfestival<\/span><\/span><\/span><\/a>\u00a0 On September 4 2010, I read at the Callander Poetry Weekend hosted by Poetry Scotland.\u00a0 I have also written Art Criticism for Peel and Combustus Magazines.<\/span><\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n