{"id":4968,"date":"2015-12-26T16:49:58","date_gmt":"2015-12-26T16:49:58","guid":{"rendered":"http:\/\/www.artvilla.com\/plt\/?p=4968"},"modified":"2019-02-11T07:57:50","modified_gmt":"2019-02-11T07:57:50","slug":"a-review-by-norman-ball-of-all-the-babble-of-the-souk-collected-poems","status":"publish","type":"post","link":"https:\/\/www.artvilla.com\/plt\/a-review-by-norman-ball-of-all-the-babble-of-the-souk-collected-poems\/","title":{"rendered":"A Review by Norman Ball of All the Babble of the Souk, Collected Poems. Robin Ouzman Hislop."},"content":{"rendered":"<p><strong><br \/>\nAll the Babble of the Souk<br \/>\nBy Robin Ouzman Hislop<br \/>\nAquillrelle, 2015<br \/>\n&nbsp;<br \/>\nNorman Ball, writer, author of <em>Between River and Rock: How I Resolved Television in Six Easy Payments <\/em>&#8211;<br \/>\nBefore I get to the book itself, I\u2019d like to offer up a confession. Robin and I have, over the years, engaged in some fascinating discussions on such far-flung topics as Big Bang contrarianism, the mystery of consciousness, theories of memes, multiverses, Popper falsifiability and vitalism, just to name a few; in short, the usual water cooler chatter. Or maybe not. Robin\u2019s a whole lot smarter than me. Nonetheless it\u2019s a lot of fun trying to keep up. If you\u2019ll forgive a mixed metaphor, we\u2019re odd ducks of a feather.<br \/>\n&nbsp;<br \/>\nFor one thing, Hislop is not averse to the occasional Latinate or<em> ism<\/em> getting tossed into a stanza. Of course poetical exploration of High Concept puts one at odds with the prevailing penchant for concrete image and tactile adhesives. There are many in poetry today who insist that, if you can\u2019t say something nice about a spatula, a garden hose or a lamppost, you have no business trafficking in periphrasis. Everything must be grounded in the real, they say\u2014as if such a thing as the real <em>really<\/em> existed. If I may say, oh prevailing sentiment in poetry,<em> get real.<\/em><br \/>\n&nbsp;<br \/>\nSo, perhaps<em> All the Babble of the Souk<\/em> is not for everyone. But then, what of any value ever is? Poetry marches under a Big Spatula and we all can\u2019t be flipping fried eggs and hash. Besides, in the hands of a deftly abstract mind, abstraction is not exactly a kick in the head. Nor will it break the yokes and spoil your breakfast. What is a speculative poetic excursion, after all, but high imagination and eccentricity commiserating via language? Let the arbiters of<em> bric a brac <\/em>catalog the quotidian like good flea marketeers. Such people are born to rummage about in the attic and log their heirlooms on eBay. Hislop doesn\u2019t trammel their kiosks. He has Big Thoughts to mull.<br \/>\n&nbsp;<br \/>\nFresh off a personally intense  eye-mind exploration , I found myself greatly predisposed to \u2018Maps\u2019, a four-piece series of poetic aphorisms that offers some dazzling insights into how we demarcate our space, time and existence, and especially how these elements are conveyed, if not even defined, by our senses:<br \/>\n<em><\/p>\n<ul>\n<ol>\nTime links the auditory, the visual cortices on the retina which maps a fission between the unseen form of sound, the unheard sound of seeing<\/ul>\n<\/ol>\n<p><\/em><br \/>\nThis notion of<em> time having a real job to do<\/em> immediately put me in mind of John Archibald Wheeler: &#8220;Time is what prevents everything from happening at once.&#8221; Hislop may be onto something even more subtle: Does time keep chaos at bay,<em> allowing time<\/em> for our disparate senses to marry their qualia into a coherent universe? Perhaps those with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Synesthesia\">Synesthesia<\/a> are more evolved creators of worlds, their gaps between sound and vision less discontinuous.<br \/>\n&nbsp;<br \/>\n\u2018Maps\u2019 delivered me to a speculation I wouldn\u2019t have reached otherwise. And I find that\u2019s a critical function of Hislop\u2019s poetry. It gathers, then points away. More important than the resolved landing place is how it offers a hospitable \u2018symposium\u2019, couching philosophical fields of inquiry within poetic metaphor from which the reader\u2019s own speculative arcs can then rise and take tangential flight; speculations feeding speculations. What does resolution ever resolve anyway? Conclusions are overrated. The concrete of the concretists doesn\u2019t exist in a world:<br \/>\n<em><\/p>\n<ul>\n<ol>\nImposed as<br \/>\nan impression<br \/>\nseeking an ineffable concrete<br \/>\nin an abstraction<br \/>\nwhich defies location.\u2014from \u2018Red Butterflies\u2019<\/ul>\n<\/ol>\n<p><\/em><br \/>\nTumbling down rabbit holes beats rabbit stew any old day, especially when the universe may have us fixed for the next tasty, sentient bunny-in-line. In this sense I would call Hislop\u2019s poetry inviting, intelligent, and refreshingly non-binding.<br \/>\n&nbsp;<br \/>\nIn \u2018From Here to Silence, three\u2019, he sets up a free will versus determinism tug-of-war stalked by Nietzschean recurrence and Leonard Susskind\u2019s holographic 2D picture-show. You got a problem with that, Rod McKuen?<br \/>\n<em><\/p>\n<ul>\n<ol>\nSay we are not sui generis<br \/>\n(the cause of yourself)<br \/>\nwe are homeostatic holographs<br \/>\ndimensions in spectral parallel membranes<br \/>\nour near eternal process to err<br \/>\nalong such a line we pass time in, time out<br \/>\nbut could we not cheat the butterfly effect?<\/ul>\n<\/ol>\n<p><\/em><br \/>\nThe stanza ends on the plaintive hope, reminiscent of Kafka that our cycle of error could end if freewill achieved grace but for an instant. Let us hope that moment arrives as I\u2019m so tired of breaking my shoelace the day before Thanksgiving forever.<br \/>\n&nbsp;<br \/>\nAm I losing the yucksters in all the heavy universe lifting? Not so fast. Hislop can be funny too. \u2018At a Slant\u2019 has a droll quality that still draws a snicker if for no other reason than that we\u2019re stuck, all together <em>(\u2018but it\u2019s the same for all of us!\u2019):<\/em><\/p>\n<ul>\n<ol>\nThe con of life<br \/>\n&nbsp;<br \/>\n<em>the weirdness of its melodramatic sham<br \/>\nhow good we are at yesterday, tomorrow<br \/>\nalways better than before<br \/>\nlike,<\/em> being had \u2013 <em>in the process by it<\/em>.<\/ul>\n<\/ol>\n<p>The juxtaposed tenses of<em> being had <\/em>cement the interminable predicament we share. No exit. But at least we perfect our yesterdays until such time as we <em>resume them anew<\/em>, becoming rank amateurs all over again. But amateurs with a difference, with a modicum of acquired wisdom and an almost imperceptibly elevated rank. Okay, so it\u2019s bleak, black humor. But there are shafts of light. One day, though maybe yet a half-eternity away, some butterfly will escape the dark matter of our descending shoe. (Butterflies pervade Hislop\u2019s poetry.) We\u2019ll be released to the next pristine universe armed with a butterfly-brain\u2019s worth of hard-earned prescience. So yes, each successive Big Bang is not an unadulterated singularity. Some kernel of hard-earned wisdom gets borne through. Each new universe is a tooth on a slowly revolving gear that turns towards\u2026perfection? In short, something barely better.<br \/>\nSince Hislop asks, that\u2019s what\u2014I think, I hope\u2014may be &#8216;next&#8217;:<\/p>\n<ul>\n<ol>\n<em>Pack, the near infinite<br \/>\n(in\u2014the moment before you munch)<br \/>\ntake a bit of the biscuit<br \/>\nbefore the Big Crunch<br \/>\nit\u2019s an eternal packet<br \/>\n&#038; having all, what\u2019s next?\u2014from \u2018Lucky Hat Day\u2019<\/em><\/ul>\n<\/ol>\n<p><em>All the Babble of the Souk<\/em> will have you pondering your predicament in a whole new imaginative light. Reflect well my friend, as mindless impulsivity, and materialist inanity, is precisely what dangles this eternity over the interminable abyss. Therein may lie our paper-thin chance for freedom: by insect increment, one pardoned butterfly per eon at a time.<\/p>\n<p>\u2014Norman Ball <\/strong><br \/>\n&nbsp;<br \/>\n<strong><em>Editor&#8217;s note: for more of this Poet\/Writer&#8217;s scintillating script please do not fail to overlook the hyper-text link eye-mind exploration included in the above review.<\/em><\/strong><br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<a href=\"http:\/\/www.artvilla.com\/plt\/wp-content\/uploads\/2014\/03\/Norman-Ball-FBP.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artvilla.com\/plt\/wp-content\/uploads\/2014\/03\/Norman-Ball-FBP.jpg\" alt=\"Norman Ball FBP\" width=\"160\" height=\"160\" class=\"alignnone size-full wp-image-3082\" srcset=\"https:\/\/www.artvilla.com\/plt\/wp-content\/uploads\/2014\/03\/Norman-Ball-FBP.jpg 160w, https:\/\/www.artvilla.com\/plt\/wp-content\/uploads\/2014\/03\/Norman-Ball-FBP-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<strong>NORMAN BALL (BA Political Science\/Econ, Washington &#038; Lee University; MBA, George Washington University) is a well-travelled Scots-American businessman, author and poet whose essays have appeared in <em>Counterpunch, The Western Muslim <\/em>and elsewhere. His new book <em>&#8220;Between River and Rock: How I Resolved Television in Six Easy Payments&#8221; <\/em>is available <a href=\"http:\/\/www.amazon.com\/Between-River-Rock-Resolved-Television\/dp\/148953394X\">here<\/a>. Two essay collections,<em> \u201cHow Can We Make Your Power More Comfortable?\u201d and \u201cThe Frantic Force\u201d<\/em> are spoken of <a href=\"http:\/\/www.amazon.com\/Make-Your-Power-More-Comfortable\/dp\/193483212X\">here<\/a> and <a href=\"http:\/\/www.amazon.com\/The-Frantic-force-essays\/dp\/0980039665\">here<\/a>. His recent collection of poetry<em> \u201cSerpentrope\u201d<\/em> is published from<em> White Violet Press<\/em>. He can be reached at <a href=\"http:\/\/returntoone@hotmail.com\">returntoone@hotmail.com<\/a>.<\/strong><br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<strong><a href=\"http:\/\/www.facebook.com\/PoetryLifeTimes\">www.facebook.com\/PoetryLifeTimes<\/a><br \/>\n<a href=\"http:\/\/www.facebook.com\/Artvilla.com\">www.facebook.com\/Artvilla.com<\/a><br \/>\n <a href=\"http:\/\/www.artvilla.com\/\">robin@artvilla.com<\/a><br \/>\n<a href=\"http:\/\/www.artvilla.com\/\">editor@artvilla.com<\/a><\/strong><br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<strong><a href=\"http:\/\/www.aquillrelle.com\/authorrobin.htm\">http:\/\/www.aquillrelle.com\/authorrobin.htm<\/a><\/strong><br \/>\n<strong><a href=\"http:\/\/www.amazon.com\/Babble-Souk-Robin-Ouzman-Hislop\/dp\/1329636953\/\">http:\/\/www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop<\/a><br \/>\n<a target=\"blank\" href=\"http:\/\/www.lulu.com\/shop\/robin-ouzman-hislop\/all-the-babble-of-the-souk\/paperback\/product-22419943.html\">www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop <\/a><br \/>\n<a href=\"https:\/\/www.amazon.com\/author\/robinouzmanhislop\">https:\/\/www.amazon.com\/author\/robinouzmanhislop<\/a><br \/>\n<a href=\"http:\/\/www.innerchildpress.com\/robin-ouzman-hislop.php\">http:\/\/www.innerchildpress.com\/robin-ouzman-hislop.All the Babble of the Souk<\/a><\/strong><br \/>\n&nbsp;<\/p>\n<div class=\"wp-socializer wpsr-share-icons\" data-lg-action=\"show\" data-sm-action=\"show\" data-sm-width=\"768\"><h3>Share and Enjoy !<\/h3><div class=\"wpsr-si-inner\"><div class=\"wpsr-counter wpsrc-sz-40px\" style=\"color:#000\"><span class=\"scount\" data-wpsrs=\"\" data-wpsrs-svcs=\"pinterest,print,pdf,twitter\"><i class=\"fa fa-share-alt\" aria-hidden=\"true\"><\/i><\/span><small class=\"stext\">Shares<\/small><\/div><div class=\"socializer sr-popup sr-count-1 sr-40px sr-pad\"><span class=\"sr-pinterest\"><a data-pin-custom=\"true\" data-id=\"pinterest\" style=\"color:#ffffff;\" rel=\"nofollow\" href=\"https:\/\/www.pinterest.com\/pin\/create\/button\/?url=&amp;media=&amp;description=\" target=\"_blank\" title=\"Submit this to Pinterest\"><i class=\"fab fa-pinterest\"><\/i><span class=\"ctext\" data-wpsrs=\"\" data-wpsrs-svcs=\"pinterest\"><\/span><\/a><\/span>\n<span class=\"sr-print\"><a data-id=\"print\" style=\"color:#ffffff;\" rel=\"nofollow\" href=\"https:\/\/www.printfriendly.com\/print?url=\" target=\"_blank\" title=\"Print this article \"><i class=\"fa fa-print\"><\/i><\/a><\/span>\n<span class=\"sr-pdf\"><a data-id=\"pdf\" style=\"color:#ffffff;\" rel=\"nofollow\" href=\"https:\/\/www.printfriendly.com\/print?url=\" target=\"_blank\" title=\"Convert to PDF\"><i class=\"fa fa-file-pdf\"><\/i><\/a><\/span>\n<span class=\"sr-twitter\"><a data-id=\"twitter\" style=\"color:#ffffff;\" rel=\"nofollow\" href=\"https:\/\/twitter.com\/intent\/tweet?text=%20-%20%20\" target=\"_blank\" title=\"Tweet this !\"><i class=\"fab fa-twitter\"><\/i><\/a><\/span>\n<span class=\"sr-share-menu\"><a href=\"#\" target=\"_blank\" title=\"More share links\" style=\"color:#ffffff;\" data-metadata=\"{&quot;url&quot;:&quot;&quot;,&quot;title&quot;:&quot;&quot;,&quot;excerpt&quot;:&quot;&quot;,&quot;image&quot;:&quot;&quot;,&quot;short-url&quot;:&quot;&quot;,&quot;rss-url&quot;:&quot;https:\\\/\\\/www.artvilla.com\\\/plt\\\/feed\\\/&quot;,&quot;comments-section&quot;:&quot;comments&quot;,&quot;raw-url&quot;:null,&quot;twitter-username&quot;:&quot;&quot;,&quot;fb-app-id&quot;:&quot;&quot;,&quot;fb-app-secret&quot;:&quot;&quot;}\"><i class=\"fa fa-plus\"><\/i><\/a><\/span><\/div><\/div><\/div><div class=\"wp-socializer wpsr-share-icons\" data-lg-action=\"show\" data-sm-action=\"show\" data-sm-width=\"768\"><div class=\"wpsr-si-inner\"><div class=\"socializer sr-popup sr-32px sr-pad\"><span class=\"sr-facebook\"><a data-id=\"facebook\" style=\"background-color:#1e73be;color:#8224e3;\" rel=\"nofollow\" href=\"https:\/\/www.facebook.com\/share.php?u=\" target=\"_blank\" title=\"Share this on Facebook\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/span>\n<span class=\"sr-share-menu\"><a href=\"#\" target=\"_blank\" title=\"More share links\" style=\"background-color:#1e73be;color:#8224e3;\" data-metadata=\"{&quot;url&quot;:&quot;&quot;,&quot;title&quot;:&quot;&quot;,&quot;excerpt&quot;:&quot;&quot;,&quot;image&quot;:&quot;&quot;,&quot;short-url&quot;:&quot;&quot;,&quot;rss-url&quot;:&quot;https:\\\/\\\/www.artvilla.com\\\/plt\\\/feed\\\/&quot;,&quot;comments-section&quot;:&quot;comments&quot;,&quot;raw-url&quot;:null,&quot;twitter-username&quot;:&quot;&quot;,&quot;fb-app-id&quot;:&quot;&quot;,&quot;fb-app-secret&quot;:&quot;&quot;}\"><i class=\"fa fa-plus\"><\/i><\/a><\/span><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>All the Babble of the Souk By Robin Ouzman Hislop Aquillrelle, 2015 &nbsp; Norman Ball, writer, author of Between River and Rock: How I Resolved Television in Six Easy Payments &#8211; Before I get to the book itself, I\u2019d like to offer up a confession. Robin and I have, over the years, engaged in some &#8230; <a title=\"A Review by Norman Ball of All the Babble of the Souk, Collected Poems. Robin Ouzman Hislop.\" class=\"read-more\" href=\"https:\/\/www.artvilla.com\/plt\/a-review-by-norman-ball-of-all-the-babble-of-the-souk-collected-poems\/\" aria-label=\"More on A Review by Norman Ball of All the Babble of the Souk, Collected Poems. Robin Ouzman Hislop.\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,572,83,366,43,584,52],"tags":[654,198,680,136,3],"_links":{"self":[{"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/posts\/4968"}],"collection":[{"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/comments?post=4968"}],"version-history":[{"count":14,"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/posts\/4968\/revisions"}],"predecessor-version":[{"id":6807,"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/posts\/4968\/revisions\/6807"}],"wp:attachment":[{"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/media?parent=4968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/categories?post=4968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artvilla.com\/plt\/wp-json\/wp\/v2\/tags?post=4968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}