Janet Kuypers’ “How Music is Poetic” 9/3/16 song & poetry feature/show

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    Below are video links from a September 3rd 2016 (9/3/16, or 20160903) music&nbp;/ poetry performance (with accompanying guitar and percussion music by John) of Janet Kuypers’ Austin poetry feature through Expressions 2016: September Song! at Austin’s the Bahá’í Center (at 2215 E M Franklin Ave, Austin, TX 78723) that incorporated poetry into music. This is why they started the set with their song&nbp;/ poem that they previously performed at the sold out theater show from Beast Women Rising 9/21/14 of her original Mom’s Favorite Vase song “What We Need in Life”, with her poem “Fantastic Car Crash&^#8221; nestled between verses two and three. To break up the guitar, Janet then performed her Periodic Table poem “Tin” (with Chicago locations changed to Austin Texas downtown locations, of course). But in this set the ended their show with her poem (set to John’s original song) “Made Any Difference”.

    Before the show started she also released copies to most everyone there of a chapbook of the writings she was performing in her show (in the order they were performed), and all of the pieces from this reading were also released electronically in a “How Music is Poetic” chapbook, which you can download as a PDF file for free any time.

Read the poems and songs below:

What We Need In Life
with “Fantastic Car Crash” between verses 2 & 3
Tin
Made any Difference

        photo by Garrison Martt photo by Garrison Martt photo by Garrison Martt photo by Thom Woodruff

Janet Kuypers’ “Thoughts on Peace” 8/6/16 peace (and vegetarian) themed poetry feature/show

Janet Kuypers’ “Thoughts on Peace” 8/6/16 peace (and vegetarian) themed poetry feature/show

    Below are text links and video links from a August 6th 2016 (8/6/16, or 20160706) poetry performance (with background rain forest noises to accompany the readings) of Janet Kuypers’ Austin poetry feature through Expressions (of Peace)! at Austin’s the Bahá’í Center in Austin, Texas hat incorporated poetry about peace into a show. Kuypers opted to sit in the lotus position on stage for the performance (and sat o a raised platform so audience members could see her during the live show).

    Because this was a peace-themed performance, Kuypers started the show talking about the Egyptian Goddess ISIS in comparison to what we now know as the Islamic State of Iraq and Syria, but transitioned into talk about peace to all living creatures (like animals, and being a vegetarian) with portions of her editorial from cc&d’s v249 21 year anniversary book Invisible Ink, until she ended with two poems on being a vegetarian. Kuypers also thought a appropriate title for her show would be “Thoughts on Peace”, especially because she ended the show with a poem that ends cutting in mid-sentence with “and I thought:” — where she sat for a moment in the lotus position like she was going to continue, then she closed her eyes and bowed her head as the entire center remained in silence until the rain forest music started to fade and she opened her eyes and said “thank you”.

    Before the show started she also released copies to most some of the audience there of a chapbook of the writings she was performing in her show (in the order they were performed). All of the pieces from this reading were also released electronically in a “Thoughts on Peace” chapbook, which you can download as a PDF file for free any time.

Here is a listing with links to all of the writings performed in this live show:

Queen ISIS (battling for peace)”
Choices We Make
Everything was Alive and Dying (2016 cruelty to animals edition)
On a High Horse Like This

Janet Kuypers’ “Voting for Change” 7/2/16 politically themed poetry feature

Janet Kuypers’ “Voting for Change” 7/2/16 politically themed poetry feature

    Below are video links from a July 2nd 2016 (7/2/16, or 20160702) poetry performance (with accompanying guitar music by John) of Janet Kuypers’ Austin poetry feature through Expressions 2016: Poets Parliament! at Austin’s the Bahá’í Center (at 2215 E M Franklin Ave, Austin, TX 78723) that incorporated poetry into politics (and potentially solve political problems poetically). Because political pundits and talking heads are on many 24-hour news channels, Kuypers opted to “show” herself in tis show as a “talking head”, by not only remaining seated (like an anchorperson) but also filming herself on stage and simultaneously broadcasting her “performance” on a television right on stage next to her… Because in the past, when she has done this in Chicago shows, she learned that most audience members, like the average American, are often more fascinated with watching a television screen than watching a person live on stage.

    Because this was a politics-themed performance, and because the usually give away stickers to p[eople after voting to show the world they voted that day, Kuypers thought a appropriate title for her show would be “Voting for Change” (since a third party never can make enough money to spend their way into position in this country, there are usually only two viable candidates for any position, which usually forces the voter to chose between the lesser of two evils whenever they enter a polling booth).

    Before the show started she also released copies to most everyone there of a chapbook of the writings she was performing in her show (in the order they were performed), and all of the pieces from this reading were also released electronically in a “Voting for Change” chapbook, which you can download as a PDF file for free any time.

    Below are video links to the live performance of “Voting for Change” at Expressions 2016: Poets Parliament! in Austin.

Here is a listing with links to all of the writings performed in this liveshow:

True Happiness in the New Millennium (2016 edit)
Orders
The State of the Nation (2016 edit)
Everything was Alive and Dying (2016 political edit)
a Great American (2016 edit)


Janet Kuypers’ “Obey” 6/4/16 female-themed poetry feature

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Below are video links from a June 4th 2016 (6/4/16, or 20160604) poetry performance of Janet Kuypers’ Austin poetry feature through Expressions 2016: June is a Woman! at Austin’s the Bahá’í Center about being a woman, and about what women go through. Because she happened to see this spray-painted word on the side of the road this spring (when construction workers often write single words down to indicate things like where power lines are under ground), she had to take pictures with the word she saw, and she therefore decided to title this show “Obey”. In this show she also ran repeating images projected on the screen behind her of her drawings of woman alternating with her edited “Obey” images, and sampled in the background during her readings were instrumentals from 3 tracks from the Laurie Anderson album release, “the Ugly One with the Jewels”. She even explained to the live audience after the show that she even chose to wear a flapper dress for this show, because (A) that time period reflected the time just after women gained the right to vote in the United States, and (B) this clothing was the irst obvious sign of women wanted to stand on their own (and enjoy themselves too). It didn’t hurt that in Kuypers’ animation in her show (like doing the twist or jumping on a hotel bed, or even with her animated gestures during all of her performance), the fringe one her dress would exaggerate her movements as well.

Before the show started she also released copies to most everyone there of a chapbook of the writings she was performing in her show (in the order they were performed), and all of the pieces from this reading were also released electronically in a “Obey” chapbook, which you can download as a PDF file for free any time.

Read her haiku poems
progress,
extend,
falling,
civil,
and greatest,
then read her poems
Earth is a Topiary (her 1st of 2 poems where she used a voice modulator to reads parts of her poem in a male voice),
On Becoming a Woman (an editing and expansion of her 1999 poem Becoming a Woman),
Viewing the Woman in a 19th Century Photograph (an editing of her 1991 poem Photograph, Nineteenth Century and her 2nd of 2 poems where she used a voice modulator to reads parts of her poem in a male voice),
Content With Inferior Men, portions of her poem
In The Air with slightly altered wording, and
Oh, She Was a Woman (an editing of her 1997 poem She Was a Woman).

(Thanks to Thom for some photos from the event.)