Janet Kuypers’ “How Music is Poetic” 9/3/16 song & poetry feature/show

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    Below are video links from a September 3rd 2016 (9/3/16, or 20160903) music&nbp;/ poetry performance (with accompanying guitar and percussion music by John) of Janet Kuypers’ Austin poetry feature through Expressions 2016: September Song! at Austin’s the Bahá’í Center (at 2215 E M Franklin Ave, Austin, TX 78723) that incorporated poetry into music. This is why they started the set with their song&nbp;/ poem that they previously performed at the sold out theater show from Beast Women Rising 9/21/14 of her original Mom’s Favorite Vase song “What We Need in Life”, with her poem “Fantastic Car Crash&^#8221; nestled between verses two and three. To break up the guitar, Janet then performed her Periodic Table poem “Tin” (with Chicago locations changed to Austin Texas downtown locations, of course). But in this set the ended their show with her poem (set to John’s original song) “Made Any Difference”.

    Before the show started she also released copies to most everyone there of a chapbook of the writings she was performing in her show (in the order they were performed), and all of the pieces from this reading were also released electronically in a “How Music is Poetic” chapbook, which you can download as a PDF file for free any time.

Read the poems and songs below:

What We Need In Life
with “Fantastic Car Crash” between verses 2 & 3
Tin
Made any Difference

        photo by Garrison Martt photo by Garrison Martt photo by Garrison Martt photo by Thom Woodruff

New Lyn Lifshin Poetry Book. Alive Like a Loaded Gun.

alivelikealoadedgun-email-size
 
ISBN-10: 069272995X
ISBN-13: 978-0692729953
www.amazon.com
 
Intense and charmingly erotic, this new volume from Lyn Lifshin explores female personas including Enheduanna and Leda’s daughter. In this collection, Lifshin’s ‘barbaric yawp’ asserts its independence once again. This series of poems claims unfamiliar territory for the” queen of the small presses”.
 
www.transcendentzeropress.org
 
 
THE CELTIC BIRD GODDESS
 
her curves, graceful
as the crane, a slim
beauty. Some believe
she arose from the
fantastic Other World
along with fairies
and elves. Her eyes,
emerald, skin pale as
any sea bird darting
thru foam, delicate as
foam. Crows and
ravens braid anklets
of darkness around her
thighs. Displease her
and her eyes glower,
eagle-fierce. Peacock-
like, a symbol of
purity, she is like a
heron, mating for life,
an ouzel, small but
tenacious. Her feathers
charm and disarm,
ribbons of
feathers linked
to ancient mysteries
 
 
ANOTHER BIRD GODDESS
 
her image in clay,
she is dancing
with other women
with egg shaped bodies.
In her house, pomegranates,
the fruit of the dead.
Where new fresh
life waits in
the womb of
the divine feminine,
blossoming stems
of vegetation
sprout from her hands

 
 
 
Lyn_at_horse_museum_close_small
Lyn Lifshin at the Horse Museum
 
Lyn Lifshin has published over 140 books and chapbooks and edited three anthologies of women’s writing including Tangled Vines that stayed in print 20 years. She has several books from Black Sparrow books. Her web site, www.lynlifshin.com shows the variety of her work from the equine books, The Licorice Daughter: My Year with Ruffian and Barbaro: Beyond Brokenness to recent books about dance: Ballroom, Knife Edge and Absinthe: The Tango Poems. Other new books include For the Roses, poems for Joni Mitchell, All The Poets Who Touched Me; A Girl goes Into The Woods; Malala, Tangled as the Alphabet: The Istanbul Poems. Also just out: Secretariat: The Red Freak, The Miracle Malala and Luminous Women: Enheducanna, Scheherazade and Nefertiti. web site:www.lynlifshin.com

 
 

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robin@artvilla.com
editor@artvilla.com

 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop
http://www.innerchildpress.com/robin-ouzman-hislop.All the Babble of the Souk

A Video Poem by Tony Martin-Woods

A Video Poem by Tony Martin-Woods

 
SWEET LITTLE SPERM
 

 
 
tony republic
 
 
Tony Martin-Woods started to write poetry in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada (Transforming with Poetry), an online publication of political poetry that he edits. Tony is a political and artistic activist who explores the digital component of our lives as a means to support critical human empowerment. He is also known in the UK for his work as an academic and educator under his non-literary name. He writes in English and Spanish and has published his first volume of poetry Los viajes de Diosa (The Travels of Goddess) 2016.
 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop
http://www.innerchildpress.com/robin-ouzman-hislop.All the Babble of the Souk

Legends of Jazz

“He became aware that Esquire was planning a big issue on jazz,” says Jonathan Kane, Art’s son, a musician and photographer who also manages his late father’s photographic legacy (Art Kane died in 1995). “He cooked up the idea of doing a big portrait (with) all these musicians. Art pitched his crazy idea, and they said, Do it.” There was no question about where he would shoot. “Harlem was where the jazz scene came into being and coalesced,” Kane says. “It had to be in Harlem. And he wanted a place that reflected everyday life rather than a club. This could be a street where anybody could live.”
…….Daily News

Click on a musician to listen:
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